Author: Fara

  • STREETOPIA: National Disgrace

    STREETOPIA (RE)COVERED POETRY WAGON TOUR

    Booklyn artist Marshall Weber is doing a 72-hour poetry recitation on the streets of San Francisco as part of the Streetopia Exhibition at the Luggage Store Gallery.

    Weber will walk around the city reciting poetry matching the locations he ends up at, a little Gregory Corso near his old apartment at 2004 Taylor Street, a little Alphonso Texidor in front of La Boheme, you get the drift.

    A featured event of the performance the National Disgrace reunion poetry and music show-down will be held on – 

    Monday May 21st at 7:30PM to 9:00PM

    at – ATA at 992 Valencia Street near 21st Street, San Francisco.

    Email Marshall Weber at mweber@booklyn.org for more details.

    The event will feature National Disgrace founders Kit Young, Fred Rinne and Andy DeGiovanni provided musical back-up for a medley of ATA associated poems chosen from the early 1980’s and onward and recited vigorously by Weber.

    Click for more about Streetopia.

    poetrycart2web.jpg

    STREETOPIA (RE)COVERED POETRY WAGON ROUTE

    Sunday, May 20, 2012 at noon – roll-out at the corner of Capp Street and 21st Street.

    6:00PM – Tenderloin National Forest/509 Cultural Center (509 Ellis Street, S.F.) during the Ryder Cooley performance.

    Monday May 21, midnight – City Lights bookstore.

    Early morning – San Francisco Art Institute, stopping by Weber’s first home in SF at the corner of Taylor and Filbert.

    7:30PM – ATA at 992 Valencia Street for a National Disgrace reunion poetry and music show-down.

    Midnight – through the Haight to Golden Gate Park.

    Tuesday May 22

    Journey to the Golden Gate Bridge.

    Wednesday May 23

    Midnight – back to the Mission.

    The Streetopia (Re)Covered Poetry Wagon was constructed by the founders of the recently re-united National Disgrace performance art group/urban folk music band: Kit Young, Fred Rinne and Andy DeGiovanni.

    Weber will rely on the kindness of friends and strangers for food, drink and security.

    =================
    The poetry covered wagon (modeled after a Donner Party type / shopping cart hybrid) was constructed by the recently re-united National Disgrace performance art group/urban folk music band. Core group members and founders Kit Young, Fred Rinne and Andy DeGiovanni came together upon the request of parasitic sub-member Marshall Weber (also known as “Sprayboy” during his tenure in the band.) Weber’s divisive influence degraded the band down into an offensive series of spectral reflections of the original group ranging from the generously hated Jefferson Toilet Bowl, to the wrongly acclaimed Bringdowz (consult Bananafish for verification.)

     
     
     
     
     
  • CCSF Directing Students Showcase

    Join CCSF Department of Cinema’s Motion Picture Directing class for a screening of the 2012 final film projects.  The showcase features a variety of narrative scenes starring Bay Area actors. Directing Students: Nico Schafgans, Israel Perez, Bipop Upreti, Candace Bernard , Paul Arnott, Wayne Brogdon, Rafael Prieto , Altay Yildiz , Tati Montenegro, Shane Sahaki, Brit Zane, John O’Hagan, Audrey Kuhn, Ron Chavarria, Eli Diamond, Daniel Ekberg, Chris Tam and TA Scott Dietrich.

     

    7:30 door 8:00pm show

    Music, lots of fun

  • Gaze: home

    In its first showcase of local and international works by women filmmakers, GAZE presents a diverse collection of shorts on the concept of HOME.

    When all is fleeting and ephemeral, what can we call home? And are we ever truly at home? From the experimental unearthing and reassembly of family history to the voyeuristic gaze into the bedroom windows of strangers to the dreamlike Turkish beach resorts that offer a “home away from home”, this wildly varied collection questions the very concept of “home” while showcasing exciting experimental, documentary, and narrative work
    from seasoned and emerging women filmmakers, both locally and internationally.
    GAZE is excited to present, HOME.

    Avo, by Raquel Schefer
    Mozambique, 1960, just before the beginning of the war, portrait of a colonial family. A sequence of archive footage filmed by my grandfather, former colonial administrator, is the point of departure for an experimental documentary on the history of the Portuguese decolonization and its memory. Double memory or memory split in two: the lived and descriptive memory of the colonizers (their texts, their images) versus the invented memory of their descendants. This film is an attempt to represent my indirect memories of Mozambique.

    Sveit, by Kyja-Kristansson Nelson
    While unpacking memories and stories of her grandfather’s experience as a New American in North Dakota, Kyja documents the history and mythology of her family’s emigration while negotiating the reality of present day Iceland. A non-fiction, avant-doc experience that combines animation and experimental technique, Sveit is a geneography of memory and place.

    Homecoming, by Irina Leimbacher
    Three separate journeys to people or places I once thought of as home. Each is revealed to be fragile, vulnerable, fraught with instability.

    Canada, by Anjali Sundaram
    Part memoir, part fiction, Canada is the story of a young, half-Indian girl who struggles with her New Age mom and her younger siblings as the family attempts to move from Northern California to Vancouver in a VW bug. 24-p digital video, anamorphic, 16 min

    Longshore, by Vera Brunner-Sung
    A tour of a midwestern neighborhood navigates the relationship between individual and community, privacy and intimacy

    Inside, by Mandy Williams
    Inside is a 4.28 minute digital video that was shot from the street at dusk over a period of two months. It explores the idea of home as a sanctuary, retreat or cell, and captures people self-contained in their routines at the end of the day, as similar events take place across the city. The editing emphasizes the repetition of these activities and is inspired by Derek Jarman’s ‘Journey to the Avebury’, where his use of static camera shots and uncompromising editing highlights the mystical and ritual elements of place.

    Bu Sahilde, by Merve Kayan & Zeynep Dadaka
    Bu Sahilde (On the Coast) is a short essay film on the ephemeral feeling of summer, observed in Erikli, a small coastal town on the Aegean Sea in Turkey. The film reflects on the nature of vacation, as it is a transformed version of reality, the fantastical counterpart to winter.

     

    GAZE is a film series dedicated to screening independent film and video made by women. GAZE promotes women’s artistic expression and creates dialogue related to the influence of this powerful medium.

    http://gazefilmseries.wordpress.com