Author: Fara

  • DADADANCEPARTY

    Ever want to kick back and let some of your best friends entertain you?  Join us for an evening of show and tell + dance, smile, new and surreal weekending at ATA .  Bringing together some of the most creative people in the Bay art and music communities, DADADANCEPARTY wants to open your Memorial Day weekend on the right foot.  The lineup includes visual artists, poets, dancers, musicians, DJs and other conceptual magicians, all of whom have something new to show you.  Stop by for drinks, chats and arts — we promise you’ll leave smiling.

    Artist bios:
    Joshua Kit Clayton is an artist, musician, and computer programmer, living and working in San Francisco. He is a graduate of the Bard College MFA program in Film/Video. He produces dance music for post-rave casualties both on his own and in the band Pigeon Funk. He is responsible for the development of Jitter, a video and 3d graphics extension to Cycling ’74’s Max visual programming environment. His performance and video based projects explore communication, speculation, value, directive, and the space between artist and audience.

    LANA VORONINA: GRANNY ON THE MOVE AND FARM LIFE, POST POISON OAK

    mu fa or is a multifarious organism comprised of two people, Magenta and Wobbly. Magenta sings abstract and improvised vocals into a microphone
    and Wobbly samples and multiplies those vocals into a forest menagerie. A tracking shot of an eagle flying through a valley of mirrors and listening
    to its own songs reflected back into the sky.

    MAX is a live stream performance asking questions with multiple answers/ answerers. Visual and audio poems inspired by the physical and online audience, filtered through computer and human processing. Orchestrated by Caitlin Denny, Dmitri Svistula, and Nicole Ginelli.
    Sophia Wang and Brontez Purnell began collaborating as dancers and choreographers in 2010.  With the Brontez Purnell Dance Company, they have performed at the Berkeley Art Museum, SOMArts and LoBot Gallery, where they presented their first collaboratively choreographed work. Brontez has worked with several Bay Area performers and choreographers, including Jesse Hewitt, Eric Kupers, Amara Smith and Nina Haft, with whom he is completing a dance degree at Cal State East Bay. Sophia has danced for choreographer Hentyle Yapp in an original piece for the Berkeley Dance Project at U.C. Berkeley, where she is completing a doctoral dissertation on postwar and contemporary American poetry. Brontez makes music with his band, The Younger Lovers, as well as zines and dance films; Sophia makes documentary photography and dances in those dance films.
    Sara Wintz is a writer living in Oakland, California. Her poetry, non-fiction, and criticism can be found in Jacket, 6×6, The Poetry Project Newsletter, Try!, Physical Poets, Model Homes and Ceptuetics. Last year she worked as a contributing editor for the first issue of Emergency Index, an annual print publication from Ugly Duckling Presse documenting new performance in the words of its creators. Her first book, WALKING ACROSS A FIELD WE ARE FOCUSED ON AT THIS TIME NOW, is forthcoming also from Ugly Duckling Presse.

    Geeta Dayal writes frequently on the intersections between sound, visual art, and technology. She is the recent recipient of a major grant from Creative Capital | The Andy Warhol Foundation in the Arts Writers Program. Her first book, Another Green World, on the musician Brian Eno, was published by Continuum in 2009. She is currently a Culture editor at Wired, and has written over 150 articles and reviews for major publications, including Frieze, Bookforum, The Wire, The Village Voice, The New York Times, The International Herald-Tribune, Print, Wired, Rhizome, and many more. She has taught several courses as a lecturer in new media and journalism at the University of California – Berkeley, Fordham University, and the State University of New York.  She’s also a rad DJ.

    Dominique Leone makes pop, prog, experimental, classical, electronic, dance and improvised music.  He leads at least a couple of bands on his own, regularly plays with Ava Mendoza, Aaron Novik and Jordan Glenn, DJs, and has performed with William Winant, Matmos, Lindstrom, Kevin Blechdom, Wobbly among many others.  He has remixed Max Tundra, Steve Reich, R.Stevie Moore and others, and has appeared on records by Boredoms, Mungolian Jetset and Matmos.  He has written about music for Pitchfork, Allmusic, PASTE and many other places.  His most recent project was a new production of Igor Stravinsky’s Les Noces. http://www.dominiqueleone.com

  • Indocumentales / Undocumentaries: The US/Mexico Interdependent Film Series

    AL OTRO LADO
    Dir. Natalia Almada, US/Mexico, 2005, 66 min. In Spanish with English subtitles.
    Like many in Sinaloa, the drug capital of Mexico, 23-year-old Magdiel faces two choices to better his life: trafficking drugs or crossing the border into the United States. Yet Magdiel has a special talent that could be his ticket out: composing corridos – ballads about the narcotics underworld and undocumented immigrant life. For over 200 years corridos have been Mexico’s musical underground newspaper and the voice of those rarely heard outside their communities. From Sinaloa, Mexico, to the streets of South Central and East L.A., Al Otro Lado explores the world of drug smuggling, immigration and the corrido music that chronicles it all. Featuring Los Tigres del Norte, Jenni Rivera, Jessie Morales, among other acclaimed musicians, Natalia Almada’s debut feature film is “a glimpse of art running parallel to daily life.” (The New York Times).
    Discussion with special guests follows screening.
    Presented by what moves you?, Cinema Tropical and the Center for Latin American Studies (CLACS) at New York University, in partnership with Cine+Mas SF
  • Periwinkle Cinema Presents: SELF-REFLEXIVE

    Navigating queer desires has never been a walk in the park. Okay, maybe sometimes it consists of cruising in the park. Whatever. Senses of radical queer self-hood don’t just catalyze themselves, they take some serious nurturing. That nurturing can take a lot of forms — a sassy critique of ‘heterosexual values,’ a serious conversation about the gaps between theory and lived experience, or just some good old-fashioned masturbating. These are just a few of the strategies of this month’s filmmakers. It takes more than a haircut to disrupt systems of oppression — it takes self-reflection, an examination of how our selves are implicated in those systems, and sometimes it takes being kind of shameless. Get ready for some feelings talk with a dash of sacrilege, and yeah, of course — an exciting lineup of (some old, some brand new) queer experimental shorts!

    LINEUP:

    “DIY Queer Learning Lab” by Kehontas Rose. 4 min, 30 seconds, 2010

    Byline: Queer is a word that is now meant to be all inclusive but in some ways, because of the loss of meaning in words through translation of people, places, time, space, race, identity can simultaneously be isolating.

    Cut and Paste” by Alexis McCrimmon, 2007, 8 minutes

    byline: An eye-catching and playful autobiographical documentary that explores the historical contexts of racial stereotypes, gender identity and sexual agency i.e: what it meant for one little girl who dared to be Black, Queer and Kinky.

    “Shari Shapiro’s Slumber Party” by Samara Halperin, 4 min, 30 seconds, 1998

    Byline: A short film about betrayal, reconciliation, Cheetos and Joan Jett.

    “The Terrorist She Freaks of Texas” by Bug Davidson, 24 minutes, 30 seconds, 2005

    Byline: A fake public service announcement about the newest and most threatening danger to heterosexual values in Texas, the Terrorist She Freaks.

     

    INTERMISSION

    “The Back of My Head” by Emily Wingren, 3 minutes, 30 seconds, 2012

    Byline: My friend walked by yodeling. I was a human in a t shirt, sitting in a cold field on some dead grass. Suddenly I had an epiphany, though my realization was not associated with any words. This video extrapolates on that feeling. An interview with the person inside my brain-cave.

    “Bolex Study” by Malic Amalya, 2 min, 2008

    Byline: Andy Warhol’s 1964 film Blow Job is a 35 minute shot of a man’s head and shoulders as, the title suggests, he receives a blow job. Confined to the Bolex’s spring-wound clockwork motor and a 100ft roll of film, Bolex Study #1 supplies the missing half of Warhol’s film.

    “Body Work” by Parke Ballantine, 2 min, 2012

    Byline: Time told through the physical. Body trauma. Disembodiment. Body healing and exploration.

    “Banana Split Boy” by Lindsay Laven, 5 min, 30 seconds, 2012

    Byline: Banana Split Boy is the story of ice cream indulgence and banana curiosity.

    “But I’m a Genderqueer” by Lauren Soldano, 11 min, 30 seconds, 2011

    Byline: The story of one person’s journey through the scary but also magical land of identity crisis, and a story about queer self-love triumphing over all obstacles.

    “Diamonds at the Meeting” by Emily Y. Wang, 15 min, 2012

    Byline: A group of college-age queer womyn and genderqueer folks speak up about sex and fucking.