Author: Fara

  • Collaborations: “Smashism” A night of experimental video, film and music. Odd colors, digital experiments, swirling chemistry, disintegrating media, dissonant moments in mundane places and textural tones will collide.

    Video works by Andrew Benson, Black Hole Cinema, Kamau Amu Patton and Suzy Poling.
    Performances by: bran(…)pos, Ryan Jewell and Lea Bertucci.

    Bio
    Andrew Benson is a visual artist and performer based in San Francisco, working primarily with digital and electronic media. His performances, videos, animations, and Net Art works are rooted in a materialistic and playful approach to electronic media – exploring the digital form as both a visual language and a specific material. Playing at the edges of animation, experimental video, and electronic sound, Andrew combines unusual processes with a saturated and complex visual style.  He has recently collaborated with Joshua Churchill, M.I.A., Aphex Twin, is a part of the ongoing Plink Flojd A/V project with Yoshi Sodeoka, and regularly contributes animations to Sheroes, a monthly event in Toronto recently featured on Rhizome.org.  He is an active, innovative member of the Live Visuals community, has been teaching electronic media courses at SFAI since 2008 and is a long-time contributor of educational content for Cycling ’74 Software.

    Tooth runs Black Hole Cinema, that is a film collective based in West Oakland that screens historic, sublime, experimental and documentary film and video from all over the world on 8mm, 16mm and digital formats. “tooth is a bay area based artist, insomniac, and perceptual activist, who often makes moving image works concerned with the properties of light and air, and their occasional interaction with organic and inorganic material. he enjoys long walks, the destruction of objective reality and how cigarette smoke looks in front of a projector beam”

    Kamau Amu Patton is an artist based in New York and San Francisco. He received his MFA from Stanford University in 2007 and is a graduate of the University of Pennsylvania with a degree in Sociology. Patton has exhibited his work in solo exhibitions at the Yerba Buena Center for the Arts and Queens Nails Annex in San Francisco, Machine Project in Los Angeles and Tilton Gallery in New York. He has worked collaboratively on artists’ projects at MOMA in New York and the Los Angeles County Museum of Art. Patton was a 2010-2011 A.I.R. at The Studio Museum in Harlem. Patton is one of 4 artists selected for the SFMOMA’s 2010 SECA Art Award. His work will be featured in an exhibition that will open at the museum in the fall of 2011.

    Pod Blotz/Suzy Poling makes photographs, films, videos, collage, light art installations, mirror sculpture, silkscreened work, performance art and experimental music. Poling is from Michigan, was schooled in Chicago and is now based in Oakland, California. She has presented specific multi-dimensional performances with refractive sculptures, video and sound at the Berkeley Art Museum, Machine Projects, Cal Poly University, Yerba Buena Center for the Arts, San Francisco Electronic Music Festival, 23five Incorporated, The Lab, Queen’s Nails Projects, Southern Exposure, San Jose Museum of Art, Transmodern Festival and Portland Institute of Art. Pod Blotz has also played in various warehouses and clubs throughout the US and in Europe and has played other festivals such as No Fun, Colour Out of Space, INC and Neon Marshmellow Fest. Pod Blotz’s audio work is aural version of an extensive body of visual work and research. Overall, Poling is concerned with
    hypnotic realms, natural phenomenon, ecological oddities, the systemized order of space and comprehensions of entropy.

    bran(…)pos is the ongoing audio-visual-performance-noise-musique-brain-bend of Jake Rodriguez from San Francisco, CA.  Rodriguez has been performing and recording under this moniker for 15 years with releases on C.I.P., Resipiscent, Ratskin Records, Animal Disguise, and Chitah! Chitah! Soundcrack.  synthesizer and mouth manipulations are the most common audio elements,  rounded out with rubber face and a live video component to complete the human-analog-digital-human circle.  in March 2011, two bran(…)pos releases were on display at the Editions of You fair in Oxford, UK and added to the Oxford Brookes University Popular Music Research Unit’s permanent collection of hand-made editions and zines.  more info, sounds, photo, video can be found at soundcrack.net.  “With a background in theater performance and sound (and a seriously demented mind), Rodriguez with his bran(…)pos project has boiled down the most absurd elements of our ongoing ritual into an amalgamation of human, sound, and light that is at once ridiculous and terrifying.”

    Lea Bertucci is an interdisciplinary artist who works with Photography, Sound, Video and Installation. She received her BA in Photography from Bard College in 2007, the same year she was awarded a fellowship from the Tierney Foundation. The emphasis of her work lies in exciting the liminal areas of perception. She uses tactics such as slide projection, stop motion video and lo-fi filtering of sound to engage with these ideas. In 2009 she was awarded a residency from Smack Mellon and a Jerome Foundation Young Composer’s Commission from Roulette. In 2012, she was selected as an artist in residence at Roulette. She has performed solo and collaborative works at venues such as Issue Project Room, The Kitchen, Anthology Film Archives, St. Marks Ontological-Hysteric Theater, free103point9, Galapagos Artspace, The Queens Museum of Art and the High Zero Festival. She is currently based in the high deserts of Southern Utah.

    From his current home base in Columbus Ohio; musician, sound artist, composer and improviser, Ryan Jewell has been relentlessly pursuing the limits of percussion in both his solo and collaborative work. With his deft hands, Jewell is capable of conjuring a variety of sonic vocabularies out of an ever-evolving collection of acoustic and electronic implements. Often with little more than a snare drum and a handful of common, household objects, Jewell weaves unbelievably intricate and profoundly textural aural tapestries ranging from smooth drones and high pitched screeches, to low rumbles and metallic scrapes. His work combines the sparse and the frantic, the experimental and the technical.

    His often understated and focused style is both educated and intuitive having been developed through both traditional training and street-level practice. Jewell studied percussion and electronic composition techniques at Capital University and has since studied drum set with Susie Ibarra and tabla with Dr. Lowell Lybarger and Jim Feist. He has continued to hone his unique voice touring extensively throughout the United States, Europe, New Zealand, and Australia collaborating with artists like Greg Kelley, C. Spencer Yeh, Nate Wooley, Christine Sehnaoui, Bhob Rainey, Jandek, Mike Shiflet, Aaron Dilloway, Envenomist, Larry Marotta, Vic Rawlings, Fossils, Rafael Toral, Psychedelic Horseshit, Pink Reason, Jason Zeh, Wasteland Jazz Unit, and Pete Swanson along with others. Additionally, his work has been showcased at international festivals such as the SOWIESO 1 and Les Sciences Bruitistes festivals in Paris, the International Noise Conference in Miami, SXSW in Austin, Neon Marshmallow in Chicago and the Kraak Festival in Brussels.

  • Orbit(film): A program of short films about our solar system

    Orbit(film) is a project that uses the art of cinema to inspire the art of science and education. A collaborative, 80-minute omnibus movie about our solar system,Orbit(film) is intended for all ages, as grade-schoolers will have their interest in art and science piqued, and older generations will have their youthful love of space renewed.

    In Orbit(film), every planet in our solar system is represented by a short film, each made by a different filmmaker, dealing with the science of outer space through creative and emotional storytelling and visual poetry. Some or all of the original source material will come from NASA footage, reinterpreted by each filmmaker to make a portrait of the respective planet. Non-planet films cover the sun, moon and comets. the program is  co-produced by Mike Plante (Cinemad) and Mark Elijah Rosenberg (Rooftop Films).
     the films
    The Sun
    made by Brent Hoff (“Look at the Sun”, 2011, 5 min)
    For thousands of years, humanity has watched the sun with a mixture of fear and awe, believing without knowing why, that our lives depend on its mysterious undulations. Today, technology has sharpened the view and revealed fantastic, explosive visions roiling a chaotic surface, but what has changed? Today, with our sun mysteriously spotless for the longest period in recorded history, our astronomers can no more discern the future than could ancient Mayan priests. The sun has changed, our sense of wonder has not. Now more than ever, we must look at the sun. Because it’s getting sexy up there.
    Mercury
    made by Ben Coonley (2011, 6 min)
    A mercurial cine-opera set to visuals gathered by NASA’s MESSENGER spacecraft. Lyrics composed in collaboration with the International Astronomical Union (IAU) Working Group for Planetary System Nomenclature (WGPSN).
    Venus
    made by Jessica Oreck (2010, 4 1/2 min)
    Jessica explores the inner-workings of our sister planet. Examining the atmospheric composition of Venus, this piece, narrated by Jackie Reynal, exposes a reminder of what could happen on Earth.

    Earth

    made by Mike Plante (“A Quick Note About Earth”, 2011, 3.5 min)
    A short note about Earth and a gentleman of our times.

    The Moon

    made by Brian M. Cassidy and Melanie Shatzky
    (“I Seen the Moon”, 2010, 3 1/2 min)
    Recollection. Romance. Regret.
    Signs of life for this man may very well exist on the Moon.

    Mars

    made by Mark Elijah Rosenberg (“No Message Received”, 2010, 9 min)
    A little robot born on Mars. The introverted scientist who created it. A meta-fictional re-telling of NASA’s Mars Pathfinder mission as a story of outcast people and forgotten technology, about wondrous things struggling for attention in busy worlds.

    Comets
    made by Deborah Stratman (“…These Blazeing Starrs!”, 2010, 14 min)

    Since comets have been recorded, they’ve augured catastrophe, messiahs, upheaval and end times.
    This will be a little film about these meteoric ice-cored fireballs and their historic ties to divination.
    …These Blazeing Starrs!
    Threaten the World with Famine, Plague, & Warrs:
    To Princes, Death: to Kingdoms, many Crosses:
    To all Estates, inevitable Losses!
    To Herds-men, Rot’ to Plowmen, haples Seasons:
    To Saylors, Storms; to Cittyes, Civil Treasons
    – Du Bartas, De cometis (1665)
    Jupiter Elicious
    made by Kelly Sears (2010, 4 min)
    A haunted meteorologist dreams of storms that are both closer and further away than he thought. His unshakable bravado is undone through fast winds and high pressure systems and a sense of duty.
    Saturn
    made by Jacqueline Goss and Michael Gitlin (“Scan Platform Problems”, 2011, 6 min)
    The most beautiful planet deconstructed, played with, put back together again.
    Uranus
    made by Bill Brown (2010, 8 min)
    It is 2003. A spaceman takes a trip to Uranus. He is fleeing from the Earth in the month before a big, rich country invades a little country of little consequence for mysterious reasons.
    Neptune
    made by Poseidon (“Neptune Calling”, 2011, 5 min)
    Neptune, in a true display of his personality, prank calls the other planets.
    Pluto
    made by Travis Wilkerson (“Pluto Declaration”, 2011, 3 1/2 min)
    Restore the classical definition of planet!
    Bring back planet Pluto!
    The solar system is 12!
    * * *
  • Casual Encounters

    Casey Anderson and Rick Bahto will present a variety of works, including their collaborative Casual Encounters for Super 8 and cassette tape, in which scores of Mark So are seen and heard. Anderson will perform a version of his opera, TALK RADIO. Bahto will also project his film For Paul Clipson, and Paul Clipson will project his film Another Void.