Ariel Diaz’s large scale paintings draw on distant and imagined pop iconography, smudging together televisual, comic and food based images to create a whimsical take on the residues of childhood memories. The combinations of seemingly incongruous word and image evoke distorted visions of the ice cream man, food stands at Coney Island, and family picnics.
Please join us for a closing reception in the ATA main gallery on Thursday, August 12, from 6-9pm.

“I work as a graphic designer and recently I was asked by a client to add an American flag to their website. In their minds, this über-American symbol would infer a sense of legitimacy, security, and safety, thus encouraging their customers to give them money online. (The irony however, was that they had just been bought by a British parent company.) Politicians and news stations employ a similar strategy: by asking a designer to invent for them a connection to our historic past, they invoke the American brand for their own purposes.
“And it occurred to me that these symbols which convey ‘America’ are just simple colors and shapes, like any others at my and everyone else’s disposal. It takes very little to invoke the American brand. As design tropes, navy blue and cherry red stars stripes eagles airplanes anything really — are sickening in their ubiquity. I know I generally tune them out. However, their consistent overuse only makes them more deserving of deeper research into their form and function, content and context.”
Jessica Miller is an artist who lives and works in San Francisco. For more information, please visit: http://www.jessicamillerworks.com