You roll away your stone, I’ll roll away mine is a series of week long solo exhibitions. Noticing the generative nature of the intergenerational relationships in his own life, Hanasik tasked each invited artist to create a week long solo show with the stipulation that the artists collaborate with someone significantly older or significantly younger than they are. The result is a captivating series of projects which eloquently build on top of each other to collectively explore the themes of isolation, miscommunication, and expectations.
Author: Fara
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Right Window Gallery: Patrick Hillman: Sets & Reps (opening)
Patrick Hillman’s new installation Sets & Reps evolved from a series of conversations and interactions between the artist and a 70 year old bodybuilder named Guy. Discussions on male muscle culture, gay sex apps, and heartbreak translated into a diverse range of works including crocheted undergarments, a paper and Mylar sculpture, and a series of photographs.
Patrick Hillman is a San Francisco based artist who makes work in photography, video, sculpture, drawing, text, and crochet. He received his MFA from the California College of the Arts in 2009 and has since shown in the United States, Germany, and Australia. A music video he created – Reading Rosalind Krauss by The Size Queens – appeared in the Best of issue of Artforum in December 2009. In 2010, he directed a community art center for the city of San Francisco where he designed and taught digital media classes for young adults with developmental disabilities.At Right Window, artist Jason Hanasik has turned November into a running series of individual shows under the general title of You roll away your stone, I’ll roll away mine.
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Brazil on Screen
ATA presents Brazil on Screen, an ongoing program of contemporary Brazilian film. The evening opens with the North American premier of A Vermelha Luz do Bandido (The Bandit’s Red Light) followed by Rogério Sganzerla’s 1968 film O Bandido da Luz Vermelha (The Red Light Bandit).A Vermelha Luz do Bandido (The Bandit’s Red Light), 16:00 min, Video, 2009, English subtitles, Directed by Brazilian filmmaker Pedro Jorge. A Vermelha Luz do Bandido is a short scientific-experimental documentary that pays tribute to Rogério Sganzerla’s O Bandido da Luz Vermelha, and a general reflection on the contemporary film industry in Brazil. Starring: Seu Jorge (The Life Aquatic)
O Bandido da Luz Vermelha (The Red Light Bandit), 92:00 min, 16 mm, 1968, English Subtitles, Directed by Rogério Sganzerla
Based on police records of a famous bandit in São Paulo, the film tracks the rise of an enigmatic pillager of luxurious residences whom the tabloids have named for his technique of using a red flashlight to illuminate his female victim’s faces while talking to them before proceeding to rape and kill them. One of the key works of the Brazilian Cinema Marginal (Underground Cinema) movement, with its “aesthetics of garbage”, the late Sganzerla combines western, detective story, documentary, musical, comedy, science fiction and radical politics.Info: http://www.brazilonscreen.com
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Right Window Gallery: Abner Nolan: Babble (opening)
San Francisco based artist Abner Nolan’s Babble is informed by the wandering creative impulses of his 4 year old son. The installation combines videos documenting the intimate building of temporary structures overlaid by boarded up windows, a contemporary symbol of urban recession and blight.Abner Nolan is a San Francisco-based artist. His work has been included in exhibitions at the Yerba Buena Center for the Arts, the Nelson Gallery at UC Davis, and the Wattis Institute for Contemporary Arts. He is a former artist-in-residence at the Macdowell Colony, and monographs of his work have been published by Trillium Press and TBW Books. He is currently a teacher in the photography program at the California College of the Arts.
At Right Window, artist Jason Hanasik has turned November into a running series of individual shows under the general title of You roll away your stone, I’ll roll away mine.
You roll away your stone, I’ll roll away mine is a series of week long solo exhibitions. Noticing the generative nature of the intergenerational relationships in his own life, Hanasik tasked each invited artist to create a week long solo show with the stipulation that the artists collaborate with someone significantly older or significantly younger than they are. The result is a captivating series of projects which eloquently build on top of each other to collectively explore the themes of isolation, miscommunication, and expectations.