Artists' Television Access

Author: Fara

  • OpenScreening

    openscreeningATA’s openscreening is the only monthly open submissions screening in the Bay Area. Get your work out there! Get feedback! Or just come and take it all in! One hour of shorts are accepted monthly on an open revolving basis, anything goes with the screened work, and the refreshments are pretty good too. $5, FREE admissionfor contributing artists. Door:7:30pm Projector: 8pm

    Not a filmmaker? Come and hang out with us anyway. Enjoy the atmosphere, the art, the movies, the people, the refreshments

    Submissions: Label all tapes w/ name, contact, title and length. Mail to: Openscreening, 992 Valencia, SF, 94110 1-2 week advance submissions strongly recommended. If not. . . it is all good. Max length: 15 min. Formats: DVD, miniDV/DVcam, VHS, beta, 8mm and 16mm All genres.

    More Info: contact  
    Programming@atasite.org

     

  • See Monkey Sea Mask and Puppet Show 10-Year Anniversary Show

    OLYMPUS DIGITAL CAMERAOn March 7, 2003,at Artists Television Access, the players of the See Monkey Sea Mask and Puppet Show did the last full show of their two-month, thirty-show tour of the USA. On March 7, 2013 there will be a show that commemorates that fateful day with an evening of entertainment featuring music by Hazy Loper, Shotwell Coho, performances by Jessie Roadkill and the Brothers Drum, and an unprecedented screening of video from the See Monkey Sea Mask and Puppet Show’s 2004 China Street Performance Tour!

     

     

     

  • TAKEN BY STORM : The Art of Storm Thorgerson and Hipgnosis

    Taken By StormPresented by Noise Pop
    This man has designed 80% of your classic vinyl record collection !
    For over 40 years using album covers as his canvas, Storm has created many of the most iconic images in music from Pink Floyd’s DARK SIDE OF THE MOON, Zeppelin’s HOUSES OF THE HOLY to Peter Gabriel,10cc, Black Sabbath, Paul McCartney and later for Cranberries, Mars Volta, Anthrax, Audioslave, Muse, Biffy Clyro and Steve Miller. Eschewing digital manipulation in favor of building massive sets, staging performances and “doing it for real” Storm has deliriously and relentlessly confounded expectations of the role of the album cover at the intersection of art and commerce. Directed by Roddy Bogawa  
TRT 85 min.
    Q&A with director Roddy Bogowa