Author: Fara

  • ATA @ SFPL: Rufino Tamayo & James Baldwin (Screening @ Noe Valley Public Library)

    Artists’ Television Access (ATA) teams up with SFPL to mine the treasures in the Library’s 16mm film archive. Join us for our quarterly screening series of fantastic movies.That’s real film, not video!

    Rufino Tamayo & James Baldwin

    This program presents artist portraits (one of a visual artist, and one of a writer) that are not just informative but are works of art unto themselves.

    Rufino Tamayo: the Sources of His Art (Gary Conklin, 1973) 28 minutes
    An investigation of one of Mexico’s most intriguing painters, known especially for his use of color (thankfully SFPL’s print has retained all of its lovely hues.) Born in Oaxaca and proud of his Zapotec Indian heritage, Tamayo was one of the twentieth century’s most prominent artists influenced both by pre-Columbian art and by European modernists such as Picasso. These inspirations, as well as the visual characteristics of Mexico itself, are presented in conjunction with interviews with Tamayo. In addition, Hollywood director John Huston (the Treasure of Sierra Madre, Night of the Iguana) speaks a narration written by Nobel laureate Octavio Paz; director Gary Conklin would later return the favor by documenting the filming of Huston’s final Mexico-set feature, Under the Volcano. Conklin has also made film portraits of Gore Vidal, Paul Bowles, and Ed Ruscha.
    My Childhood, Part 2: James Baldwin’s Harlem (Don Horan, 1964) 26 minutes
    This unique portrait of one of this country’s greatest writers was made shortly after his essay “The Fire Next Time”. The film is anchored by Baldwin’s own voice, although he does not appear on screen. He speaks candidly about his early encounters with racism and police brutality while growing up in the ghetto, the refuge he found in the public library and the theatre, and his relationship with his embittered father. This soundtrack is augmented with poignant, poetic black and white corresponding and contrapuntal images of New York filmed by Ross Lowell (author of cinematography tome Matters of Light & Depth) and Ernest Nukanen (who started his career working on Hans Richter’s Dreams Money Can Buy). Originally intended for television broadcast along with a portrait of soon-to-be-vice-president Hubert Humphrey’s comparatively idyllic childhood in rural South Dakota, the library’s print includes only the Baldwin segment.

    This is a Films & Videos program from SFPL. From feature films to youth-made videos, we’ve got something great to watch.

  • Kelly Sears: “Once It Started It Could Not End Otherwise” (2011)

    oncePresented by SF Cinematheque

    Witty, savvy, ironic, poetic, exhilarating, even cosmic…Sears’ works afford the viewer a sort of wormhole into a parallel universe… made entirely of things we nonetheless recognize. This is the uncanny principle that Ms. Sears so unerringly parlays, rendering collage-animation singularities out of institutional media. Something is wrong with these pictures, things are not what they seem, appearances are mere cover-ups for the real power plays behind the panels. (Craig Baldwin: “Archive in the Sky”)

     

    Toiling consistently over the past decade-and-a-half, stealthily infiltrating our nation’s vast ideological image banks, Kelly Sears has created a remarkable dossier of animated digital video documents chronicling the American gothic substratum with paranoid aplomb. With an anti-nostalgic attitude toward repurposed mid-century kitsch, Sears’ sinister sub-narratives pick at the psychological traumas embodied in our nation’s institutions and peer behind the official veils of national self-image. In the process, American ambitions turn nightmarish, revealing deep malaise within the collective unconscious; always there, always hidden in plain view. Tonight’s screening represents a 2008–2015 mini-retrospective of Sears’ digital-video collage animations including: Once It Started It Could Not End Otherwise, described by Art Lies as “a mix between Carrie and Charles Burns’ Black Hole”; The Drift, an unsettling astronaut saga; He Hates to Be Second and The Body Besieged, paired films on masculine and feminine imperatives; Cold War surveillance studies Voice on the Line and Cover Me Alpha; storm-watcher psychodramas Tropical Depression and Jupiter Elicius; and Sears’ most recent film, Pattern for Survival.
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  • OpenScreening

    ATA’openscreening.jpeg.pagespeed.ce.NgD79VABiRs Open Screening is the only monthly open submissions screening in the Bay Area. Get your work out there!

    The first Thursday of every month we have an Open Screening. An Open Screening is where we invite local filmmakers to show their short subject films (under 15 mins.). It is a free event and you can either screen a film or just be a member of the audience. Either way it is FREE. It is a great place to network, if you are a filmmaker, crew member, actor or a fan of local films. Please let us know if you would like to screen something. We love films and would love to see yours.

    Submissions: Label all tapes w/ name, contact, title and length. Mail to: Open Screening, 992 Valencia, SF, 94110.  1-2 weeks advance submissions strongly recommended. If not, just walk in before the show. Maximum length: 15 min. Formats: Digital File (PC or Mac),  DVD, miniDV/DV-cam, VHS, beta, 8mm and 16mm. For 8mm and 16mm films give us advance notice.

    Door opens at 7:30 pm

    Show at 8pm

    More Info: contact

    Programming@atasite.org