Author: Fara

PAD McLAUGHLIN’s 3-D + ORACLE PLUS + 

For our fourth and final Live A/V initiative, we explore Spectral Spaces by way of both Stereoscopics and the Body-Once-Removed of closed-circuit TV! Marin-based McLaughlin returns with a new set of his much-loved three-dimensionalmagick.Utopian Dimensions is his hallucinatory half-hour of ‘hacked’ space andretinal-rivalry, that in fact addresses the early idealism of the internet. AND!~Miel &Steph Lister of Oakland’s Oracle Plusdebut a new piece as well, Phantom West, that plays on the presence and absence of real bodies and their TV ghosts. Opening the second half is Jeff Jefferson, setting upDream Machines on both sides of a video projection, so to let loose the wild words of his Graven Image. ALSO curious chronicles of electronic music–field recordings around Mills College in 1969 (shot by Les Blank!). PLUS clips from I Dream of Wires, including Clara Rockmore. Free OCD DVDS to the first 5 patrons.*$8

$7-10 Sliding Scale

Seemway (Bay)
https://seemway.bandcamp.com/

Honyock (Sacramento)
https://www.honyockisaband.com/

Babehoven (LA/Portland)
https://babehoven.bandcamp.com/

Little Arcs (Bay)
https://littlearcs.bandcamp.com/

+ Killer Video Installations

As always, all friends, friends of friends and soon to be friends are invited! See you there!

Tickes: https://atalives.brownpapertickets.com

Jeremy Rourke’s I’ll Be Around is an experimental animated documentary about the long standing Mission-based gallery and collective Artists Television Access (ATA). Join us for an evening of performance, animation, celebration, and expanded cinema to expand your mind.

I’ll Be Around is made possible in part by a grant from The Creative Work Fund, a program of the Walter and Elise Haas Fund that also is supported by The William and Flora Hewlett Foundation. $10

About Jeremy:

Jeremy Rourke is a self taught animator, musician, and performer from San Francisco, California. He utilizes photo-puppetry, clay, text, paint, light, shadow, flora and paper ephemera to produce his handmade stop motion animations. During live performances, he creates soundscapes for these works with guitar and vocals, harp, singing bowls, bells, wind chimes, field recordings, found audio and drums.