Monday, June 29, 2026, 7:30 pm, classic-editor
A three-projector celluloid meditation live-scored by improvisational trio Rewards Program: “an army of lovers cannot fail”: revolution, rivalry, and queer existence. Visuals in special collaboration with musician and artist Kati Mashikian.
Bios:
MILES LASSI is an interdisciplinary artist based out of Oakland, CA. As a musician, he has performed in over 150 cities throughout North America, Europe and Asia with many different ensembles ranging from the Vietnam National Symphony Orchestra at Carnegie Hall to national broadway tours like Ain’t Too Proud, Dirty Dancing, and Tina: The Tina Turner Musical. Miles is dedicated to creating new media and has done so at the New York Film Festival, Lincoln Center, Apollo Theater, deYoung Museum, Joyce Theater, Fort Mason Center for Arts & Culture, A.C.T., SXSW and Snap Studios/KQED.
SKYWAY MAN is the alias of keyboardist, songwriter, and producer James Wallace. Based in Oakland via Richmond, VA, and Nashville, TN, he has released seven albums and composed music for Film/TV, including Joe Pera Talks With You (HBO). Over the past 15 years, he has toured extensively across the U.S., Europe, and Asia, performing at festivals like Bonnaroo, Pickathon, SXSW, Hardly Strictly Bluegrass, and Wilco’s Solid Sound. He has collaborated with Abigail Washburn, Langhorne Slim, Erin Rae, and Maya Hawke, among others. Brittany Howard once named his band a favorite local act in Rolling Stone, and his work has been featured in NPR, The Wall Street Journal, and Stereogum. He’s produced 20 full-length albums for other artists, including Bay Area musicians Mikayla McVey, Milk for the Angry, and Pancho Morris. Over the past few years he’s developed a practice of live instrumental film scoring using keyboards and sequencers.
ELLIE VANDERLIP is a San Francisco-based experimental filmmaker, performer, and educator. She received her MFA in Cinema from San Francisco State University in 2022. She is a co-director at Oakland’s Shapeshifters Cinema, on the board of directors at San Francisco’s Cinematheque, and maintains a studio at Artists’ Television Access. She has hosted filmmaking workshops with the Exploratorium, Yerba Buena Center for the Arts, and the University of San Francisco, and lectures at St. Mary’s College and San Francisco State University. Her primary focuses are found footage experimental documentary, material cinema, and expanded cinema performance. Her work has screened nationally and internationally, including at San Francisco DocFest and Belgrade’s Kinoscope Festival, and has upcoming writings about alternative archives in Found Footage Magazine.