Illustrator Michael Wertz convenes an ensemble of live drawing, hand-held projection, and improvised scoring with musicians Andy Cowitt, Michael Zelner and Suki O’Kane, with Super 8 by Nat Swope.
About the Artists
photo by Andy Cowitt
Michael Wertz is the Chair of the Illustration Program at California College of the Arts. In addition to Illustration, he teaches with Critical Ethnic Studies, Printmaking, and MFA Writing.
As an illustrator and author, his client work covers the gamut, including The New Yorker; ESPN; the San Francisco Museum of Modern Art; Storycorps; Google; Fort George Brewery; Bay Area Bookfest; Fillmore Auditorium; Bay Area Rapid Transit; Peaches Christ; Vote Vote Vote; Nike; Camelbak; Converse; Camper Van Beethoven; Pottery Barn; Levi Strauss; and Rickshaw Bagworks.
His work has received awards from Communication Arts, The Society of Illustrators (New York City), 3×3 Illustration, and American Illustration, (New York City.)
Illustrated books include Golden Gate Park, an A to Z Adventure, (2020 West Margin Press); ABC Oakland, (2017 HeyDay Books).
As a research scholar, he has spoken on West Coast drag at conferences in the US and abroad. His costume design, illustration and performance in drag was documented in “Mrs. Vera’s Daybook,” which aired on PBS in 2021 and is making festival rounds in 2022.
Wertz maintains a vibrant gallery presence in the Bay Area and beyond, with work shown at HeyThere Projects in Joshua Tree (2022), Harvey Milk Photo Center, San Francisco (2021); Public Eye (2020 Publication); Giant Robot Los Angeles (2018); ICON Group Show: Red Bull House of Art, Detroit (2018); The Menagerie: Unrestricted Queer Artists, Alley Cat Books, SF (2018).
Wertz’s nonprofit work includes Vote Vote Vote (2020), a project he designed that raised $26,000 for the ACLU Women’s Rights Project, in honor of Ruth Bader Ginsburg.
An avid music fan, Wertz partnered over many years with legendary Santa Cruz surf-punk band Camper Van Beethoven. Wertz has been tapped to contribute work to the legendary poster series at The Fillmore, creating posters for John Spencer Blues Explosion, John Prine, and Smino. His publishing clients include Farrar, Strauss, Giroux; Chronicle Books; HeyDay Books; West Margin Press; Developmental Studies Center; and San Francisco Center for the Book.
Wertz has worked as a design-build creative at Burning Man since 2003; during the pandemic, he taught screen-printing to Burners when the event was put on hold, to keep their gift-economy ethic robust. In addition, he founded the Elsewhere Philatelic Society, an art collective focused on public space reinterpretation, street art/environmental installation, and mail-art publications.
https://www.instagram.com/wertzateria/
Nat Swope is a Bay Area native whose influence stretches back to his youth skateboarding in the East Bay and beyond. In 2001, nat founded Bloom Screen Printing (aka Bloom Press) in Oakland, which he owned and operated until he joined Monolith Press in 2023. While at Bloom, Nat printed for some of the most influential and inspiring artists of the time.
https://www.instagram.com/natswope/
Andy Cowitt, Suki O’Kane, and Michael Zelner are long-standing sonic collaborators in projects with Big City Orchestra, B3CO, and Radio Dinner. They bring diverse interests in immersion composition, electroacoustic media ecology, noise, and drone to their tablecore aesthetic.