Film/Video Screenings Artists' Television (ATV) Open Screening In the Gallery Window Installations

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Artists' Television Access
992 Valencia Street
San Francisco, CA 94110
(415) 824-3890
ata@atasite.org

Monthly Calendar

ATA Screenings

Tuesday, February 9, 2010. 7:30PM
500 YEARS LATER
Answer Coalition screening

Friday, February 12, 2010. 8PM
The Black Rock:
The Untold Story of the Black Experience on Alcatraz

Saturday, February 13, 2010. 8PM
City of Favelas
Reforma Urbana and the right to the CITY

Friday, February 19, 2010. 8PM
Birgit Ulher, Gino Robair and Bill Hsu
An Evening of electroacoustic audio-visual improvisations

Sunday, February 21, 2010. 7PM
Thing With No Name

Thursday, February 25, 2010. 7PM
Zeitgeist Addendum:
The Resource Based Economy

Friday, February 26, 2010. 7PM
Rock Prophecies
Noise POP Film Festival

Friday, February 26, 2010. 9PM
Downtown Calling
Noise Pop Film Festival

Saturday, February 27, 2010. 2PM
Unusual Heroes: John Darnielle and Lou Barlow double feature
Noise Pop Film Festival

Saturday, February 27, 2010. 4PM
Woodstock: Now & Then
Noise Pop Film Festival

Sunday, February 28, 2010. 2PM
Secret to a Happy Ending
Noise Pop Film Festival

Sunday, February 28, 2010. 4:15PM
All My Friends Are Funeral Singers
Noise Pop Film Festival

Open Screening

Thursday, February 18, 2010. 7pm Door, 8PM
OpenScreening

In the Gallery

February 1, 2010 - February 28, 2010.
White Paintings or The Fridge Door
Solo show by Barbara Valles Hayes

Window Installations

February 1, 2010 - February 28, 2010.
Emily Glaubinger: Wish You Were Here (A Landscape)

February 1, 2010 - February 28, 2010.
Right Window Gallery
hobbypopMUSEUM

Other Events

Sunday, February 14, 2010. 5PM-9PM
Right Window Gallery (closing reception)
hobbypopMUSEUM

Archive

Find all the past shows and gallery and window exhibitions in the Archive

View the text-only full calendar

Post **Video Resistance – Works by Oliver Ressler** at ATA Tweet

Thursday, January 31, 2008. 8PM $6-$10

*Video Resistance – Works by Oliver Ressler*

*Venezuela From Below* & *The Fittest Survive*

Discussions will follow by Ann Robertson and Gabriel Cabrera (Hands off Venezuela)

the fittest survive

Venezuela From Below

Oliver Ressler is an artist doing projects on various socio-political themes. Since 1994 he has been concerned with theme specific exhibitions, projects in public space, and videos on issues of racism, migration, genetic engineering, economics, forms of resistance and social alternatives. The films "Venezuela from Below" and "5 Factories–Worker Control in Venezuela" made with political analyst Dario Azzellini, will be screened on consecutive evenings, with his most recent video "The Fittest Survive", accompanying "Venezuela from Below" on the first night. Discussions will follow.

*Venezuela From Below*
*Video – 2004 – 67 min.*
*Dario Azzellini & Oliver Ressler*

In the film "Venezuela from Below," the true actors in the social process are able to speak. They are the people of the grassroots and they speak about what they did and what they are doing, how they feel about the Bolivarian process, about their expectations and ideas. They see themselves as part of the process that is underway, but also problematize numerous points. The search for a social and economic model beyond neo-liberalism is no easy terrain; there are currently no successful, tested alternatives. The protagonists in the Bolivarian process have, however, set upon a path from which there is no return.

*The Fittest Survive*
*Video – 2006 – 23 min.*

The video "The Fittest Survive" is based on filming the five-day course "Surviving Hostile Regions" done in January 2006 in Wales, Great Britain by the AKE Group. The course instructors are British ex-special force soldiers. The participants are businessmen who are preparing for business in Iraq and other dangerous regions, government officials and mainstream journalists who, with their dishonest discourse of democracy and human rights, help to legitimise and secure the ideology of market-economics expansion.

The video, primarily filmed by hand camera, follows the survival-course participants as they experience the staged reality of live shell bombardments, an assault by armed guerrillas, the rescue of accident victims, and moving through mine fields. Above this training camp in Wales, low-flying British fighter planes hold manoeuvres and foreshadow the real war theatres in which the class participants will soon be.

For more information on Oliver Ressler's work visit http://www.ressler.at/