UP DOWN & SIDEWAYS NEW PEOPLE CINEMA, SAN FRANCISCO SUNDAY NOV 4TH 2:45 PM Hypnotic rhythms and complex polyphonic music reverberate through the hills of Nagaland in this portrait of an indigenous community and their remarkable musical traditions, set in the alluring northeast of India. Use promotional code “cp_2018” when purchasing tickets for ‘Up Down… Read more »
Coming up next
YOY, BUZZED LIGHTYEAR, DREAM FISH with TAMARA CHU
Ditch your Black Friday plans and come hang out at your favorite Artist Television Access, THE BEST DIY/UNDERGROUND THAT MONEY CANT BUY. Yoy– Shoegaze/ grunge https://distrokid.com/hyperfollow/yoy/eV3bBuzzed lightbeer- fem punk/ grunge https://buzzedlightbeer.bandcamp.com/ Dream Fsh– experimental/ bedroom pop with hip hop influences With live accompanying visuals by Tamara Chu, Video alchemist and friendly neighborhood witch. https://www.instagram.com/chu.tamara/
Upcoming Screenings and Events
- Saturday, November 24, 2018, 8:30 pm, $7
Other Cinema; ARCHIVE FEVER1: CULT(S)
- Thursday, November 29, 2018, 7:30 pm, $10 General/$5 Cinematheque Members
Duke & Battersby: Shit Doesn’t Have to Be Perfect (Emily Vey Duke and Cooper Battersby in person)
- Friday, November 30, 2018, 7:30 pm, $7-$10
Left Eye Cinema: 24 City
Gallery
- November 2, 2018 - November 30, 2018
Alex Dabi Zhevi: ’National Theatre’
Window Installations
- November 1, 2018 - November 30, 2018
Almost Public/Semi-Exposed 5
Recent Blog Posts
Save The Redstone Labor Temple
Posted September 28, 2018 at 10:40 pm by Fara
RLTA Organizing for Community Ownership of Iconic 1914 Redstone Building Goal is to preserve San Francisco’s defining center for creative organizing San Francisco —The Redstone Labor Temple Association (“RLTA”) has announced that it is working with the Mission Economic Development Agency (MEDA) to be in escrow to purchase the 55,000-square-foot Redstone Labor Temple, located in… Read more »
OPEN SCREENING – Summer 2018 recap
Posted September 8, 2018 at 7:46 am by Tim
Open Screening has been great fun in 2018! Here are some of the artists who have participated, and their works. Thanks to all artists, filmmakers, and attendees! SEPTEMBER 2018 AMJ Order to Escalate Child Jerry Barrish I Will Be Alex Bruillet Suburban Velocity Kelsey Ellison Monologue: Stacy’s First Sex Experience You Ain’t You Till You’ve… Read more »
OPEN SCREENING – May 2018 Recap
Posted May 5, 2018 at 4:46 pm by Tim
We had a great turnout and a great batch of films at May’s Open Screening. Thanks to all who came and screened. Alex Brouillet The Enigma of Sydney Fowler Alex Selland Birds, Ships, Docks I Assume You Know Nothing Lars Skovgaard Laursen Mame Dave O’Shea Peanut Butter & Butter Billy & the Easter Bunny Esther… Read more »
periwinkle april
Posted March 26, 2018 at 10:43 pm by Fara
Back by popular demand Hanky Code The Movie with special short film Cruising Elsewhere preceding. Bringing Queer Sexy back to San Francisco. Cruising Elsewhere Whatever happened to Wohler Beach? Oral histories and spectral pornography resurrect memories of a once legendary Russian River gay beach in this sexy short. Dir. Ryan White 13 Min. Hanky Code… Read more »
![Betzy Bromberg’s a Darkness Swallowed & Coni Beeson’s Firefly // Friday, November 16, 2018, 8:00 pm, $7-$10
/ Co-presented with @canyoncinema / both films screened in #16mm // When a Darkness Swallowed opens on some old photographs, it seems to be one kind of film, a personal work exploring memory, perhaps focusing on the child depicted in one of the photos, absent from the other. But very quickly it shifts to something unexpected, something uncategorizable. Beautiful abstract images fill the screen as we delve into a brooding, sensuous world, which critic Holly Willis describes as “dipping below the rational world to mine the seemingly infinite layers of the past stored within the fleshy entrails, chalky bones, sinewy spider webs and gnarled ligaments of both the body and the earth.” It is a landscape that suggests the murky process of searching, remembering, or grieving, and, as the title suggests, it takes us in. Willis writes, “[Bromberg’s] films are effusive spaces of creation and inquiry, where she finds herself in the world and makes the chaotic inequity of loss and despair somehow bearable. And even beautiful.” @betzybetzy1981 @carriemaeweems
Kathy Geritz #filmisnotdead #filmwave #🎞 #📽#abstract #experimentalfilm #experimentalphotography #expandedcinema #underground #oldsanfrancisco #DIYvenue #werestillhere #supportyourlocalmicrocinema #fridaynightplans](http://scontent-iad3-1.cdninstagram.com/vp/96979e6983ae03882d6777aaacf03d81/5C92040E/t51.2885-15/e35/c110.0.429.429/s150x150/43263020_174410346830562_1296567709592561128_n.jpg "Betzy Bromberg’s a Darkness Swallowed & Coni Beeson’s Firefly // Friday, November 16, 2018, 8:00 pm, $7-$10
/ Co-presented with @canyoncinema / both films screened in #16mm // When a Darkness Swallowed opens on some old photographs, it seems to be one kind of film, a personal work exploring memory, perhaps focusing on the child depicted in one of the photos, absent from the other. But very quickly it shifts to something unexpected, something uncategorizable. Beautiful abstract images fill the screen as we delve into a brooding, sensuous world, which critic Holly Willis describes as “dipping below the rational world to mine the seemingly infinite layers of the past stored within the fleshy entrails, chalky bones, sinewy spider webs and gnarled ligaments of both the body and the earth.” It is a landscape that suggests the murky process of searching, remembering, or grieving, and, as the title suggests, it takes us in. Willis writes, “[Bromberg’s] films are effusive spaces of creation and inquiry, where she finds herself in the world and makes the chaotic inequity of loss and despair somehow bearable. And even beautiful.” @betzybetzy1981 @carriemaeweems
Kathy Geritz #filmisnotdead #filmwave #🎞 #📽#abstract #experimentalfilm #experimentalphotography #expandedcinema #underground #oldsanfrancisco #DIYvenue #werestillhere #supportyourlocalmicrocinema #fridaynightplans")
