Tag: archive

  • The Changing Face of Laos Through its Music (Opening Reception)

    Todd
    The Changing Face of Laos Through its Music

    Laos, a small land-locked communist country sandwiched between Thailand, Vietnam and China, is transforming into a consumer culture like its neighbors. Emerging artist, Todd Sanchioni, traveled throughout Laos searching for musicians, photographing them with a Mamiya 6×7 and a 35mm camera, and recording their sounds. Beautiful black and white photographs and the music that goes with them are the vehicles by which the visitor is introduced to an array of Lao musicians: From the traditional Isan sounds of Mr. Khamsuan, and the Hmong “qeej” player in the mountains, to “The Cells” (the most popular rock-and-roll band in Laos), and the hip-hip group known as L.O.G. (Laos Original Gangstas). Many of the changes taking place in Laos are represented by the changes in its music. Portable CD players will be available for visitors to listen to the music of corresponding photographs as they walk around the gallery; Also, for those who want to listen on their own mp3 player, a podcast of the music will be linked to Todd’s website for downloading from their own computer. fotosanchioni.com

  • Midnight Cowboy

    WHORE!MAGAZINE and the St. James Infirmary present a monthly program of feature films exploring sex, money, power, & the goodness of going bad. Cupcakes, sex toys, and post-screening sparkling deconstruction for all who attend. (Proceeds to benefit sex worker health care at St. James Infirmary and smart whore art & culture via WHORE!MAGAZINE.)

    This month’s film and discussion:

    Monday, November 26th, at 7:30PM
    Midnight Cowboy
    with salon conversation
    Ginger Murray (editor, WHORE!MAGAZINE)
    Melissa Gira (development coordinator, St. James Infirmary)

    www.whoremagazine.net

  • Print patterns, text and tapestries

    gallagher1 small
    work by Karen Gallagher

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    New drawings and works in print by Bay Area artist Karen Gallagher confuse written comprehension by altering the structure of text and its collapsing dissolve into pattern; reemerging at the threshold where pattern begins to describe form itself. While fashioning text type into formed towers and reinventing monotonous tapestries as discolorations, the line and the written word become obscured by breaking the boundary of presentation; the original, barely clear explanation is left hidden and indecipherable.