Blog

  • ATV March Schedule

    march 3rd
    pixies -chained, gigantic 1989
    living poets – erica filanc
    post mortem crush 15- hazel scott – day v jones

    march 10th
    bikinki kill- rebel grrrl, u know, she is me 1992
    katrina : not for sale, mpowerdance
    post mortem crush 16- faye adams – day v jones

    march 17th- repeat of jan 20th show
    heartless bastard- grey
    staring newscasters – jesse england
    very very cool very very groovy revised – jack & co
    g gordon lbby- lucas ketelle
    reset- mack mcfarland
    clean- pj raval
    post mortem crush 11- chuck berry – day v jones

    march 24th
    post mortem crush 17- dinah washington day v jones
    happy box- erica filanc
    pixies- i’ve been tired, vamos, in heaven 1989

    march 31rst
    international sweetheatrs of rhythm – jump children, how about that
    jive, i left my man
    culture jamming- aaron lindenthaler
    post mortem crush 18- d boon – day v jones

  • THE GATE OF HEAVENLY PEACE

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    The Gate of Heavenly Peace  

    1995, 189 minutes (full theatrical release)

    by Carma Hinton and Richard Gordon

    How do you change your entire world? Last month at kino21 Guy Debord looked back on a life whose fulcrum was Paris, May 1968. This month we turn our attention to Beijing 21 years later in May 1989.

    Telling the story through first-hand accounts, interviews, documentary footage and commentary, Hinton and Gordon examine the contradictions that arise when the leaders of a movement for democracy are only familiar with authoritarian political and social structures. Did the movement founder because of that, or did it function historically as an avant garde, its membership sacrificed to death, prison and exile in the course of changing the set of choices its people are presented with?


    This unglamorous but absorbing film interweaves videotaped scenes of the demonstrations and conversations with leaders and participants with an explanatory narration into an account that is as clear-headed as it is thorough and well-organized. While The Gate of Heavenly Peace has its wrenching moments, it is neither an anti-Communist tract nor a romantic valentine to the movement’s fallen heroes. Above all, it is a hard-headed critical analysis of a youthful protest movement that failed and why.  Stephen Holden, New York Times

    One of the most impressive things about this film is that it’s a view from the inside — Hinton has lived for most of her life in China; another is its refusal to adopt a single partisan position or to assume, as the filmmakers put it, that there is only one correct path for China. Drawing on a wide array of archival materials, the filmmakers have also made good use of expert advisers such as Orville Schell. This film is likely to revise the very terms of your understanding of the pivotal events it considers.  – Jonathan Rosenbaum, Chicago Reader

  • OpenScreening

    Open Screening

    See fresh perspectives and formula shattering techniques in film and video
    art from the Bay Area and beyond! Open Screening accepts one hour of shorts every month on an open revolving basis. Live local bands open every show, and the refreshments are darn good.

    FREE admission for exhibitors

    7pm: Door/Bar
    7:30: A/V Collission
    8pm: Projector

    OS Submission Info:
    * Cue and label all tapes w/ name, contact, title and length.
    * Mail dubs to: “openscreening”, 992 Valencia, SF, 94110
    * 1-2 week advance submissions strongly recommended
    * Email inquiries do not guarantee a space. Tapes do
    * Max trt: 20m
    * DVD, miniDV/DVcam, sVHS, sm beta, 8mm and 16mm
    * All genres. Student, “in progress”, and segments welcome
    * Info: contact meg @ openscreening@hotmail.com

    ABOUT OPEN SCREENING:
    Open Screening is a noncompetitive and uncensored exhibition of short films and videos where artists and lay persons can experience cinema’s innovative foundations first hand. Most exhibitors are students and established filmmakers wishing to test run a new piece. Because the program is arranged on a first come – first served basis, themes are incidental, and style and subject matter varies tremendously from month to month and film to film.
    For further information, contact Megan Miller at openscreening@hotmail.com