Blog

  • ATV April Schedule

    ATV June

    » More images

    april on atv sundays @ midnight submit………

    4/6/8 re air of 3/9 show

    pylon section of athens ga inside out -1987
    summer in alphabet city – siloen daley
    get good – francois & rozi plain 2006
    post mortem crush 57 – rosito moreno – day v jones 2008

    4/13/8

    Iets op Filmen ( Something on Film) siloen daley
    death of astro – douglas katelus 2007
    a dirdl, a poodle – a trauma – emma cattell & kerstin honeit 2006
    post mortem crush 60 – big bill broonzy – day v jones 2008

    4/20/8

    b-52’ssection of athens ga inside out – 1987
    phantom canyon – stacey steers – 2006
    vahalla mountains – siloen daley
    post mortem crush 61 – gladys bentley – day v jones 2008

    4/27/8

    ziggy stardust – nina hagen band – girls bite back
    happiness: the movie – grigoriy dikkert & lenka kabankova 2002
    post mortem crush 62 – josh white – day v jones 2008

  • An Injury to One

    Travis Wilkerson’s most recent experimental documentary addresses the  Butte, Montana, lynching of Wobbly organizer Frank Little.  Wilkerson’s earlier Accelerated Development used the radical style of  Santiago Alvarez to explore Cuban history; here he delves into the  history of Montana as a story of modern capitalism. He analyzes  Anaconda, the notoriously predatory copper mining company, detailing turn-of-the-century union organizing directed at its labor practices  and modern day environmental blight resulting from its policies. Both a lament and a call for action, An Injury to One is a work of historical inquiry, a portrait of a town, a person, and a company, and an example of a contextual study in which the parts reverberate with intelligence and complexity. Traversing between past and present, culture and politics, bringing together archival documents and images of present-day Butte, miners’ songs and Little’s speeches, Wilkerson literally reframes within the image. This is both a stylistic device and a metaphor for challenging official histories with alternative perspectives.

    – Kathy Geritz, Associate Film Curator, The Pacific Film Archive

    Preceded by: World’s Fair World (dir. Bryan Boyce 2002, 9min)

    “There’s nothing funny about the tools of capitalism.” Agree or Disagree? In World’s Fair World, Bryan Boyce subjects a Westinghouse-sponsored TV movie to his own patented brand of narrative deconstruction and evisceration. 

    info rachael@akpress.org  510.208.1706 

  • Rainbow Valley (Food Oasis)

    window_bennett

    “Plants are awesome. These plants are here to express their awesomeness, just as all plants are. I’ve been under the nature trance since around puberty (“OMGisNATURE!”) and have been trying to express that through traditional modes of art ever since. It wasn’t, however, until I spent a few years in this wonderful concrete jungle of ours that growing things of the horticultural variety started to move me in ways that only things of the Dionysian persuasion had before.

    “Once I got hooked on the horticulture scene, days set aside to go paint or do whatever in the studio would get derailed by the quiet call of my plants around the house. I started to realize these domestic plant sessions were providing me with paramount headspace, reflection time and personal satisfaction. To get to know a plant is a chance to slow down and learn a language of steady observation, lessons I personally can’t get enough of in my life. I used to think of plants as awesome sculptures, but I realized sculptures don’t have anything on plants — but that’s an apples-and-oranges (or rocks) comparison I’m not going to get into here…

    “Wise plants! Let us serve you so we can bask in your beauty and learn from your lessons!

    “My practice has also taught me that as much as I love and need time to geek out in by private space, I want shows and projects to be an opportunity to collaborate with a portion of the infinitely inspiring community around us. For this project, I worked with dear friend and Greenhouse Technician for UC Berkeley, Gabriel Varney, who helped source irrigation and lighting materials, and lent his knowledge of gardening, and most of all, has been my collaborative partner through production. I visited Kim Allen of Berkeley Youth Alternatives’ Youth Garden for some advice early on and walked away with pockets full of seeds planted for this project. Brent Bucknum, my main eco/art design/build partner, and founder of Hyphae Design Laboratory, has been giving general moral, technical, and design support. Johanna Silver Test Garden Master-babe at Sunset magazine has made containers and seeding possible. Aurora Crispin donated some fine mature chard and made moving mountains possible.

    “For this project I created a faux-natural window space environment in which very natural (real) plants will grow over the course of the month. This project pays homage to the natural elements of the world I love the most in a format full of contradictions and limitations that present a very honest representation of my relationship/proximity to such things and places. What you see here is a miniature of a garden at the base of a waterfall in a desert. Come to the closing party and take home a plant of your own to commune with!”

    For more information about the artist, please visit www.iamdrewbennett.com.