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  • Myths of Thee Underground

    myths zine cover small

    Commemorating the on-going history of San Francisco’s media underground, the screening will chronicle work by early and contemporary members of this steadfast community including work by Luke Hones, Lise Swenson, Marshall Weber, Ant Farm, Eva König, Charles Gute, Kent Howie, Catherine Czacki and others.

    The screening supplements the work presented in issue #2 of the ATA webzine. “Myths of Thee Underground” includes interviews, documentation, reviews and anecdotes about the people and places involved in San Francisco’s history of alternative media, art and activism. The issue includes a walk through SF video history by Luke Hones, a conversation with Craig Baldwin about punk rock media activism in the 80s by Gilbert Guerrero, a young artist’s search for her artist-hero Bruce Nauman by Catherine Czacki, a bi-coastal reconstruction of an early ATA installation by Kent Howie and Charles Gute, an interview with Lise Swenson about her newest project “The Mission Movie”, a report on the SRL 25th anniversary celebration at the Lab, and the history of 992 Valencia Street by Kathleen Quillian and Gilbert Guerrero.

    In honor of ATA’s 20th anniversary, we will also be unveiling The Museum of Artists’ Television Anthropology, an archeological excavation of items unearthed from ATA’s premises.

    The documentation presented is unofficial and the evidence is entirely unreliable. Come see for yourself and form your own conclusions!

    http://www.atasite.org/zine/issue2/

  • Shonie De La Rosa: Photographs of life on a Navajo Reservation

    Shonie De La Rosa is a Native American (Navajo) filmmaker and photographer who lives in Kayenta, Arizona. De La Rosa has shown work in the US and Europe.

    “I believe that my work shows the beauty as well as the ugliness of our land (Navajoland).”

    To view more of the artist’s work in film and photography, please visit: http://www.sheepheadfilms.com/

  • Catherine Czacki (with Claudia Mendoza, Maggie Foster and Rroland)

    Somewhere between an homage to and a critique of our contemporary addiction to moving images, Catherine Czacki will create two new pieces for the ATA installation room.

    “Syndrome,” made in collaboration with Claudia Mendoza and Maggie Foster, is a three monitor video installation inspired by the Italian horror film “the Stendhal Syndrome”, by Dario Argento, and which consists of three portraits of the three artists. The only visible aspects of each portrait are the artists’ eyes, which are illuminated by a strip of light in an otherwise completely black space. Symbolizing a shift in the traditionally male gaze, the artists present themselves as both the viewers and the subjects in a self-reflective look at the genre of cinema.

    Also for this exhibit, Czacki will create “Cathedral” in which the passive viewing experience will be translated into more physical terms. The general structure invites the viewer to enter. Once inside, the viewer is invited to spin themselves along with a video projected onto the ceiling via a platform below the video, and handles on the inside of the structure. The video consists of footage from various film and television sources, all of spinning motions. The aim of “Cathedral” is to form a connection between the sedentary act of viewing media, and the motion that is inherent within the medium while highlighting the sensation and important role media creates in today’s society. Sound by Rroland.