Blog

  • An evening with Torsten Kretchzmar & Moped

    Torsten Kretchzmar

             Torsten Kretchzmar the German electro pop performer is described as the love child of Kraftwerk and Sprockets and is now bringing you the next best German word since Fahrvergnügen with his project “Entschlossenheit”. His lyrics are interpreted by the abstract dance artist Tanner Coleman Stewart.
             Torsten Kretchzmar rocks the soft-spoken, androgynous artist to a tee in this excellent techno concept project. With a dead-pan behind-the-scenes documentary and videos complete with Oskar Schlemmer-esque dance moves and over-the-top filters, it’s not only solidly catchy, teutonic music, but a completely fun and inspiring Gesamtkunstwerk. At the ATA he will present his DVD Entschlossenheit in a live mutlimedia show with a special perfromance of “Dunkelheit” and “Feuchtigkeit”!www.kretchzmar.com

    AND
              Fearing that the tagline “live electronica” has become a catch-all for any knob-twiddler attempting to incorporate an actual synthesizer into his or her set, Mission District multimedia trio Moped prefer to call a spade a spade. In this case (real-) live 
    instrumentation and laptop-generated soundscapes compliment the oddball visuals of video wizard Cripes! in creating an AV feast to shake your booty to.
              Blending hip-hop, Progression Sessions-minded jazz’n’bass, and the improvisatory spirit of –dare I say– a jam band (think Soundtribe Sector 9), Moped’s eclecticism plays to the genre-hopping music lover in us all.

  • OpenScreening

    Open Screening

    Sound Test new music ensemble and a solo set by Daniel Martin-Mccormick (ex. Black Eyes) See fresh perspectives and formula shattering techniques in film, video and music art from the Bay Area and beyond! One hour of shorts are accepted monthly on an open revolving basis, and the refreshments are darn good.

    $3, FREE admission for exhibitors.
    Door, Bar:7:00pm, Projector: 7pm

    SUBMISSIONS:

    * CUE and LABEL all tapes w/ name, contact, title and length.
    * Mail dubs to: “openscreening” 992 Valencia , SF 94110.
    * 1-2 week advance submissions strongly recommended.
    * Email inquiries do not guarantee a space. Tapes do.
    * Max trt: 20m
    * DVD, miniDV/DVcam, sVHS, sm beta, 8mm and 16mm
    * All genres. Student, “in progress”, and segments welcome

    Contact openscreening@atasite.org.

  • Unpacking Histories

    A Covenant Adam/madcat05

    A prostitute reveals her daily routine, Russian nomads in Armenia keep cool during a drought and Indian women recall the effects of a flood in the 1940s. These documentaries chronicle rich and varied histories.

     

    Between Rooms Caroline Sascha Cogez

    2004 7 min Color Beta SP Denmark • US Premiere

    Stark images of empty rooms used by prostitutes in Denmark make up this moving portrait. Articulate and blunt, Helle speaks about her experiences in the sex industry. With grace and ease she is able to take control of her body, and her johns’, during these daily business transactions.

     

    A Covenant Adam Ariana Hamidi

    2005 15 min B/W 16mm • World Premiere

    An expression of memory and the loss of memory, this documentary subtly navigates a family history filled with violence and fear. Avoiding a heavy-handed and straightforward narrative of events, it instead embraces ambiguities and imprecision. Beautiful black-and-white home movies, interviews with children about god, trust and safety are combined with fragmented texts that float across the screen and manipulated Incredible Hulk comic strips.

     

    don’t leave without news Christine Khalafian

    2005 18 min Color 16mm • Northern CA Premiere

    Russian children do cartwheels, men play soccer, nomads wander the land, a tightrope walker impresses tourists, and villagers embark on a pilgrimage to a buried relic. Shot in modern-day Armenia, the traveling filmmaker captures chance encounters, conversations from field recordings, interviews, and narrative insights offered on the way. No famous landmarks or distinct ethnic symbols clue in the viewer, while the film eschews the obvious relationship between sound and image, creating an amalgam of the harshness of life in a struggling post-Soviet republic and a traveler’s fantasy.

     

    Altitude Zero Lauren Cook

    2004 5 min Color 16mm US

    An optically printed ode to Amelia Earhart.

     

    Moving Movie Cade Bursell

    2004 17 min Color 16mm • West Coast Premiere

    The filmmaker pays loving respects to S.F., saying goodbye to her beloved town for a new home in the South. Using sound recorded on her journey, she narrates while driving, chats with locals at rest stops and ruminates in the dark by the side of the road about her unknown new life. Bursell finishes her movie, and her goodbye, developing the film in old chemicals she brought from home. This rich and colorful experimental diary is a literal and metaphorical Moving Movie .

     

    Threading the Needle Andaleeb Firdosy

    2005 16 min Color 16mm India • West Coast Premiere

    A collage of lively women’s voices describes what happened one day in 1968 when a flood ripped through a small town in India. With surprising levity, the women map out their memories and argue over what really happened.

     

    Let Me Count the Ways–Minus 10, 9, 8, 7 Leslie Thornton

    2004 20 min Color mini-DV US • West Coast Premiere

    Juxtaposing aerial military footage, scientific data on genetic mutation, audio testimony about the bombing of Hiroshima, and a home movie of her father, a World War II Air Force pilot dispatched to that city, Thornton creates a dense and compelling critique of violence.

     

    http://www.madcatfilmfestival.org

     

    About the curator:

     

    Ariella J. Ben-Dov is the co-founder, director and curator of the MadCat Women’s International Film Festival. MadCat promotes cutting-edge films and videos by women directors from around the globe. The festival celebrates its annual event each September in the Bay Area and tours each spring to more than 20 museums, art houses and universities around the country. Ben-Dov also writes about documentary and avant-garde film for publications such as The Independent Film and Video Monthly and Release Print. She wrote a review of Barbara Hammer’s seminal film, Dyketactics , to be published in a chronicling the history of experimental film. Ben-Dov was recently invited to curate the Flaherty Film Seminar, a week long seminar which will take place in June 2006.

     

    Ben-Dov was the program coordinator for the House of Docs at the Sundance Film Festival. The House of Docs is a ten-day conference exploring all aspects of documentary filmmaking. In addition, Ben-Dov is the founding director for the PlanetOut Short Movie Awards, which promotes excellence in filmmaking by giving out

    $15,000 in cash awards to filmmakers.

     

    Ben-Dov has participated in and moderated panels on alternative exhibition, documentary film and experimental filmmaking at: Sundance Film Festival, San Francisco International Lesbian and Gay Film Festival and Bay Area LadyFest. She has been a juror and panel chairwoman at the San Francisco International Film Festival. In addition, she has acted as a juror for the New York Underground Film Festival, San Francisco Arts Commission, Horizons Foundation, Marin Arts Council, San Francisco International Lesbian and Gay Film Festival, and the Milan Lesbian and Gay Film Festival.

     

    Ben-Dov has received grants from the National Endowment for the Arts, Academy Foundation, San Francisco Arts Commission, Fleishhacker Foundation, Gerbode Foundation, and the Zellerbach Family Fund among others.

     

    Also a filmmaker, Ben-Dov produced THAT’S A FAMILY! for the Academy-Award winning documentary film company Women’s Educational Media. THAT’S A FAMILY! is an educational documentary for children about family diversity and was recently awarded a Cine Golden Eagle. Ben-Dov also produced PUMP, an award-winning film that screened at festivals internationally and received many awards, including Best Experimental Short at the Chicago Lesbian and Gay Film Festival and a special award at the Ann Arbor Film Festival.