Blog

  • Small Press Traffic: Kaplan Harris in conversation with Bruce Boone and Robert Glück

    Thirty years after the LeftWrite conference,Kaplan Harris sits down with the organizers of the conference to revisit some of the motivations, fractures and legacies of this seminal moment in Bay Area History.Kaplan Harris is writing a grassroots history of poetry and activism in the wake of the New Left. His recent work is found in American Literature, Contemporary Literature,Jacket, Jacket2, Open Letter, Paideuma, The Poetry Project Newsletter, Postmodern Culture, and Wild Orchids. He is also editing, with Peter Baker and Rod Smith, The Selected Letters of Robert Creeley for the University of California Press (2012). He lives in Buffalo, NY.
    Robert Glück is the author of nine books of poetry and fiction, including Denny Smith, Clear Cut Press, 2003; and Jack the Modernist, High Risk Press, 1995.   Critical articals appeared in Poetics Journal, The London Times Literary Supplement, Artforum International, and The Review of Contemporary Fiction. He writes for Nest: A Quarterly of Interiors. Gluck currently teaches at San Francisco State, was an Associate Editor at Lapis Press, Director of Small Press Traffic Literary Center, and Director of The Poetry Center at San Francisco State.

    Bruce Boone’s published work includes– Karate Flower (1973), My Walk With Bob (1979 & reissued by Ithuriel’s Spear in 2006), Century of Clouds (1980 & reissued by Nightboat Books 2009), and with Robert Glück, La Fontaine (1981), The Truth About Ted (1984), and a variety of essays in small press journals. In addition, Boone has translated the work of Georges Bataille, including Guilty (1988) and On Nietzsche (1994), several works by Pascal Quignard, including On Wooden Tablets: Apronenia Avitia (1984) and Albucius (1992) and Jean Francois Lyotard’s Pacific Wall (1989).

  • FREQUENCY SPECTRUMS/Works with sound & film

     
    JOHN DAVIS AND PAUL CLIPSON
    TASHI WADA AND MADISON BROOKSHIRE
    BEN BRACKEN AND JOHN DAVIS
     
    Passage: a new work in sound and light for two projectors by Madison Brookshire and Tashi Wada.
     
    Madison Brookshire is a Los Angeles-based artist whose interdisciplinary work investigates modes of perception and qualities of time. He has exhibited his work widely, including a residency at theHammer Museum, solo exhibitions at Parker Jones in Culver City and Presents Gallery in Brooklyn, performances at the wulf., The Lab, Betalevel and Artists’ Television Access as well as screenings at the Toronto International Film Festival, the New York Film Festival, International Film Festival Rotterdam, Migrating Forms, Los Angeles Filmforum and REDCAT. He received his BA in cinema and philosophy from Binghamton University and his MFA in Film and Video from the California Institute of the Arts.
     
    Tashi Wada is a composer and performer based in San Francisco. His recent work focuses on sound perception as a basis for direct experiences of hearing. Wada has performed throughout the United States and Europe.
     
    Benjamin Bracken & John Davis present transient vibrations revealed through sound and film. Ben Bracken Is a musician and artist living in Oakland, CA exploring possibilities of echo-relocation in sound-based art. John Davis is a filmmaker and musician utilizing hand processed film and electronic music. Recent music to live film collaborations include filmmakers Lawrence Jordan, Paul Clipson and Kerry Laitala.
     
    Paul Clipson screens new films shot recently in Berlin, Zagreb, Lisbon and Geneva to dronescapes by sound artist John Davis. Paul Clipson is a San Francisco-based filmmaker who often collaborates with sound artists and musicians on live performances, films and installations.

  • OpenScreening

    ATA’s openscreening is the only monthly open submissions screening in the Bay Area.Get your work out there! Get feedback! Or just come and take it all in! One hour of shorts are accepted monthly on an open revolving basis, anything goes with the screened work, and the refreshments are pretty good too. $5, FREE admission for contributing artists. Door:7:30pm Projector: 8pm

    Not a filmmaker? Come and hang out with us anyway. Enjoy the atmosphere, the art, the movies, the people, the refreshments

    Submissions: Label all tapes w/ name, contact, title and length. Mail to: Openscreening, 992 Valencia, SF, 94110 1-2 week advance submissions strongly recommended. If not. . . it is all good. Max length: 15 min. Formats: DVD, miniDV/DVcam, VHS, beta, 8mm and 16mm All genres.

    More Info: contact Katy at ataopenscreening@atasite.org