Blog

  • Cine+Mas SF presents: LGBT Latino Shorts Program

    Filmmakers attending for two of the films.

    Fallen Comrade, USA 2012 13 min Drama Dir. James Valdez : A story about the bond between two soldiers and the impact after one is lost in combat. http://vimeo.com/36179826

    Recipe for Love, 2011 USA 26 min. LGBT Dir. Chauncey Wales Two women from different backgrounds embark on a journey of self-discovery, passion, and their love of food. http://www.youtube.com/watch?v=Y9cfKeAkkIY

    We’re All Meant To Be Queens /Todas Íbamos a Ser Reinas, USA 2012 25 min Dir. Miguel Angel Astudillo An intimate portrait of Aurora Grajeda & Rosa Cortez, two transgender women from Mexico living in San Francisco, where the intersecting experience of migration and self-discovery, reveal the inner struggle in coming to terms with their true identity .

  • Critical Mass @ 20 screening

    Please Join us for an evening of film/video celebrating the 20th anniversary  of the Critical Mass.

    About Critical Mass: On the last Friday of September, 1992, a group of San Franciscan cyclists showed up on Market Street for the first ever Critical Mass. This leaderless ride became a monthly “organized coincidence”, and in the years that followed, spread around the world. Celebrating a shared sense of rediscovering urban spaces, Critical Mass riders cross borders and find common cause to have a good time on foot-powered wheels. These uplifting rides also challenge the use of city streets and the domination of cars and oil in our transportation system.

     

  • Interview with SF Latino Film Festival Director Lucho Ramirez

    The third night of the SF Latino Film Festival is tomorrow. Come to ATA to see LGBT Latino shorts: Fallen Comrade, Recipe for Love and We’re All Meant To Be Queens /Todas Íbamos a Ser Reinas. You can get your tickets here.

    Why are you putting on this festival? How is it special for filmmakers? For filmgoers?

    The festival showcases Latino & Latin American film. It’s important for audiences to see and for filmmakers to have a platform for their work to be seen. A festival that focuses on this genre is more apt at showing titles both familiar and obscure- though in all honesty our programming is far from comprehensive. It’s special for filmmakers in that their work would not be seen otherwise.

    Putting on a film festival is a lot of work. Can you describe that work?

    It’s a long process that involves lots of planning and lots of testing. There’s no real short cut to go through a call for entry process. Plus there’s the raising of money to produce it, the strategy to market it, and outreach for support from other organizations and volunteers.

    How do you condense the annual output of the Latino film industry into a single festival?

    It’s really hard to approach it that way- to condense it all into a program of 20 or so features and another 15-20 shorts. However, we do look at the countries and genres represented to have wider range of voices and stories. We literally look at all the submissions, go through a screening committee, and then take it from there.

    In your opinion, is there anything that sets Latino cinema from the US apart from Latino cinema made abroad?

    Culture, history, language, and resources are a big part of what sets the films apart from the US. Some countries produce lots of film- like Argentina and Mexico whereas other countries have no real industry.

    The Festival is now entering its 4th year, how do you think it has grown? In what direction would you like to see it develop?

    We started at zero. No lists or followers. We went into it feet first without knowing if we would be able to garner an audience. It’s still challenging but now we are starting to get some traction.

    On Wednesday, Cine+Mas presents a night of LGBT Latino Shorts at ATA. This is the first time you have a program specifically for Latino LGBT short films. Why is this the year to do this?

    The LGBT community has been a big supporter of the festival overall and of films related to the Queer & Latino experience in particular. It made sense to aim to have more programming. This year we had multiple good submissions that it was enough for this to come to fruition.