SCHWARTZ + PLU + SODA JERK + KRAFTWERK +
Blog
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OC: MEDIA ARCHEOLOGY1; SOUND AND VISION
In the first of a pair of provocatively packed programs, we’re comparing and contrasting the video work of three crucial artistes (all women, by the way) whose work continues to expand our notion of cinema…and we’re setting their trifecta up with an awesome opening playlist, one which combs thru that history of A/V that set the stage for their super-mediated aesthetics…from Edison to Kraftwerk (coming to town in 11 days)! Lillian Schwartz stands out a as prolific practitioner of early video art, generating a brave wave of “experimental” analog work in the in the 60s. A generation later, we see the emergence of more figurative re-mixes, notably in the work of UK collage queen Vicki Bennett (PLU). AND a decade afiter that, the sister act Soda Jerk springs from Australia to the US to Europe, astonishing all who come near with their cool mastery of not only the current pop “archive”, but also the most canny ways of the “compilation narrative”. $12 -
OpenScreening
ATA’s free community film/video show welcomes short format work or (15 min or less) from all genres. An open forum for independent filmmakers to show their work, we hold screenings the first Thursday of the month at 8:00 pm. Entries must be received by 7:00 pm on show night, cued and labeled, to be considered. Space is limited!Submissions: To submit a digital file, email openscreening@atasite.org with the title “Open screening”. For physical media, label all tapes with name, contact info, title, and length, and mail to: Open Screening, 992 Valencia St, San Francisco, CA 94110. 1–2 weeks advance submissions recommended. If not, just walk in before the show.
Maximum length: 15 min.
Formats: Digital file (PC or Mac), DVD, miniDV/DV-cam, VHS, beta, 8 mm, and 16 mm. For 8 mm and 16 mm films give us advance notice.Doors at 7:30 pm, show at 8:00 pm, FREE
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OC: NEW MEDIA GENDER FLUX
SHULEA CHEANG’s UKI +
This is the radical new one from infamous Taiwanese ex-pat Shulea Cheang, well-known for her sexual-identity politics, her critique of media, her eco-militancy, and her queer visions of the future. Through her revolutionary use of both live-action and game-engine 3-D animation, this outrageously imaginative sci-fi project proposes a dystopian world of 2060, an oppressive wasteland of electronic trash. De-commissioned replicant Reiko struggles to lead other defective humanoids in a gender-fuck rebellion against a corporation that controls society through pleasure-enhancing drugs. Come early for the concluding chapters of Craig Baldwin‘s kindred speculative-future saga Mock Up On Mu. $10