This evening of recent films by San Francisco-based Paul Clipson will present a variety of short works on Super 8mm, made in collaboration with musicians and sound artists. The program will include THE CRYSTAL TEXT (2012) with Young Moon (Trevor Montgomery), DIFFICULT LOVES (2013) with Jefre Cantu-Ledesma, ABSTEIGEND (2012) with Painted Caves (Evan Caminiti), ORIGIN (2012) with Che Chen, LANDSCAPE DISSOLVES (2012) with Alex Cobb, VOID REDUX (2013) with Barn Owl, and SPEAKING CORPSE (2012) with Jefre Cantu-Ledesma. The event will showcase a live sound/film performance by Clipson and Marielle Jakobsons.
Blog
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VISITING THIS WORLD, Recent Films by Paul Clipson & Sound/Super 8mm film performance with Marielle Jakobsons
Sound artist and violinist creates electro-acoustic compositions of evocative, pulsing drones. She is based in Oakland, California where she received an MFA in Electronic Music from Mills College and currently teaches audio recording. She has published her recordings on Digitalis, Mexican Summer, Root Strata, Students of Decay & Important Records, among others, and has toured across the Americas & Europe. A classically-trained musician and sound designer by trade, she collaborates extensively in the experimental arts. Together with Gregg Kowalsky, she formed the band Date Palms and with Agnes Szelag Myrmyr. “Glass Canyon” is her second solo album of analog synthesizers and violin, was released by Students of Decay in Summer 2012 and a new Date Palms is being released in June, 2013. See www.darwinsbitch.comfor more info. Paul Clipson collaborates with sound artists and musicians on films, live performances, and installations. Aiming to bring to light subconscious visual preoccupations that reveal themselves while working in a stream of consciousness manner, his films combine densely layered, in-camera edited studies of figurative and abstract environments, in a process that encourages unplanned-for results. His films and collaborative performances have been presented at many festivals, galleries and venues around the world, but most often at ATA. http://withinmirrors.org -
Mel mann & Visual Aids
Mel mann is the solo project of Nicolas Melmann.A musician from Buenos Aires (Argentina), Melmann combines different musical dimensions, from electronics / electro, through children’s music, producing music for television, film, theater and installations, to its latest foray as a singer, always innovating from the composition, making test formats, exploring different sounds, resources and instruments.
With two records Kyoko (2005) Seven lives Otomi (music for theater -2006) and a third on the way, participations in compilations of various labels and working with local and international artists.
Mel mann combines electronics with acoustic instruments merely walking between experimentation and melody. The result: “nocturnal, introspective music.”Since 2006 Melmann has been developing a media project combining sounds with images working with VJS, generating a mix between music and text image looking for a conceptual and discursive unity between them.
Perhaps his most noticeable musical references are Cocteau Twins, Coil and Pansonic.
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Visual Aids is an on going research project that is meant co exist alongside live music from Jungle Jim. Working with a variety of analogue technology and source material (vhs or internet based), Aids tries to find a continuity or language between sight and sound.With an interest in thrift store quality bootlegs, and weird themes, Aids finds humor in the obscure, painting the screen with new out of context sequences that allow the viewer to construct their own narratives.
As a combined entity, Jungle Jim’s gymnasium of sound is propelled forward with visual stimulus from Aids. With an interest in heavy sedated states of mind, Jungle Jim works merges bits of sonic collage that filters into a mirage of rhythms and acid-like progressions. Drawing from a wide variety of musical and other interests / themes, Jim builds up an eclectic palette of sonic geography.
Stirring the listener into an introspective trance, Jim creates an mind wielding sequence of lush imagery, lined with a dystopian backdrop of experimental dance. Together, Jim and Aids create a mirage of stimulated onslaught that merges both sight and sound into a single experience.
