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  • GAZE film series #5: Transgressions

    Weird things happen when you violate the boundaries. You might spring a leak, piss off the feds, undergo a state change or disappear completely. Join GAZE for a night of local and international film and video that crosses the line in one way or another. Featuring girl gangs, celebrity assassinations, political voicemail, and Winona Ryder. It’s all good… until it isn’t.

    Moonsong_imageThe Moonsong of Assassination – Dolissa Medina

    “The Moon Song of Assassination” is a documentary creation story about Tex-Mex “Tejano” music singer Selena, who in 1995 at the brink of crossover success, was shot and killed at age 24 by the president of her fan club, Yolanda Saldivar. An international news story, the murder created a unique cultural moment of massive collective Latino mourning and thrust Chicano visibility into the forefront of mainstream American consciousness. Forerunner, if not cause, of the “Latin wave” pop explosion that would launch such stars as Jennifer Lopez and Ricky Martin, Selena’s death became a watershed moment for Latinos in the United States, leaving a media legacy that would extend far beyond the music industry. Using appropriated news accounts, performance footage, and 60s-era NASA imagery, this “docu-myth” tells the story of Selena’s ascension into America’s pantheon of martyred cultural figures — a moment when “The Big Bang began not with a bang and not with a boom but with the biddi biddi bom bom of Yolanda’s gun.”

    Desperately Seeking Stagg Girls – Sonia Gonzalez

    As she’s watching a 1980′s documentary about South Williamsburg, Brooklyn, a young French woman is caught by a RIP graffiti signed by the Stagg Girls on a wall near her house…

    Untitled: Self Portrait 5786 – Sable Elyse Smith

    Father Daughter Dance

    The Post-Feminist Dissonance Project – Hannah Piper Burns

    The Post(?) Feminist Dissonance Project uses a quote by Kathleen Hanna as a prompt, a voicemail box as an interviewing device, found footage as a tool, and text as a character. it is a study in the cacophony of the inner life tuned against the perception of reality. i made this piece to see if i was alone, and i discovered that for better or for worse, i am not. this is above all about the process, not the resolution.

    Images within Us – Adla Isanovic

    There is a huge amount of media reports recorded in Sarajevo during the Siege. Media framed those events, streets, places and people into well-known images, common representations of war. Audience around the world is able to watch such imagery, over and over again. Adla Isanovic erased the whole urban scene and context out of it, leaving only images of people. In that way, she explores how does the audience’s relationship to such imagery of people, whose context is erased-change.

    The Prayer – Nooshin Rostami

    The Prayer questions the “godly duties” that are foisted upon young Muslim boys and girls, as they are expected to faithfully assume their religious obligations. The video juxtaposes a recording of Azan -the call for prayer- from Iranian national TV, with a private ritual.

    THE BLAZING WORLD3The Blazing World – Jessica Bardsley

    Inflected with a feminist sensibility, The Blazing World is an essay film composed of a variety of visual and sonic stolen materials. Through an associative logic, The Blazing World enacts a meditation on shoplifting, depression, gender, Winona Ryder, and the filmmaker`s own experiences with stealing and mental health. Stealing by women becomes a form of rebellion against social and economic oppression, while also failing to provide the mental and emotional solace sought after in the accumulation of goods.

     

    GAZE is a film series dedicated to screening independent film and video made by women. GAZE promotes women’s artistic expression and creates dialogue related to the influence of this powerful medium.

  • Meet our Volunteers: Tessa Siddle & Bruce Landick

    Each month, we are featuring interviews with the volunteer staff that make ATA possible, recognizing their work at ATA and their contribution to our vibrant artistic community.

    Here are the interviews with our volunteers Tessa Siddle and Bruce Landick.


    TESSA SIDDLETESSA

    When and why did you start volunteering at ATA?

    I started volunteering at ATA about two years ago. ATA had allowed me to screen a few programs that I had curated and I wanted to give back to the space with my labor. I had also long appreciated ATA as being one of the few Bay Area venues primarily dedicated to alternative cinema and I wanted to be more involved.

    You are one of the programmers of Gaze, ATA’s women’s film screening series. As a filmmaker yourself, what have you learned so far being in the programming side of things?

    I’ve been interested in programming/curation since 2004, when I helped to juror (and a year later co-directed) a student-run experimental film/video festival. I see it as an extension of my creative practice and I want to help create spaces to show work that I care about. I also try to use it as an excuse to engage with work that I admire but that deals with themes and aesthetics that I don’t directly engage in my own work.

    Also, since joining the Gaze team I’ve seen so much great work that has really shifted the way I think about my own projects.

    What can you tell us about the next Gaze screening “Transgressions,” coming up on Saturday, August 24?

    When we were putting together this screening we kept on finding ourselves torn between themes of criminality, indiscretion, miscommunication, mistranslation, and dis-connection. I think we found that the idea of transgression allowed for us to address all of these. Many of the films we’ve selected concern subjects that find themselves either in friction against or distanced from social norms and mainstream experiences.

    Are you working on any projects you would like to tell us a little bit about?

    I’m currently working on a performance about a romance between Wile E. Coyote and Roadrunner based loosely on the Orpheus myth. I’ve also been working on some nature based animations and a video about failure to achieve great physical feats.

    What does it take to be a volunteer at ATA?

    An appreciation of experimental/alternative film/video and a minimal time commitment.

    Why is ATA important to you? And to the community?

    It’s a venue that is approachable and accessible to almost anybody with a clear idea for a show. It’s a great platform for people who are making challenging work or engaging with marginal experiences and themes.

    What is the craziest or coolest thing you have seen at ATA so far?

    I’m a big fan of the monthly queer screenings that Periwinkle puts together; there are always at least a couple of pieces each month that blow me away.


    BRUCE LANDICKBRUCE2

    How and when did you first become involved with ATA?

    About three years ago I joined up. Growing up, I had a long time interest in cinema and projecting film. My family had 8mm home movies that we would project. I thought I could further my understanding, as well as make some contacts in the San Francisco film community. Additionally, through a CCSF cinematography class I met an ATA volunteer and she convinced me to give it a try.

    You are one of the volunteers with the most technical knowledge in film making and projection. Where and how did you get the skills?

    I have been involved in filmmaking since 1990. Most of what I know about film and projection I learned at college. I have a bachelor’s degree in film production.

    What is something you have done at/for ATA that you feel very proud of?

    I organize the annual BBQ which is a way of getting volunteers to meet up and connect outside of the ATA theater space.

    What is the best part of volunteering at ATA?

    Learning about and meeting new filmmakers, and being a part of the art scene in San Francisco.

    Why is ATA important to you? And to the community?

    ATA gives the community an opportunity to show work and to be part of an audience. Filmmakers and the audience are provided the space to meet face to face and learn from each other.

    What is the craziest or coolest thing you have seen at ATA?

    Jodie Mack had a show that involved all kinds of fun and hijinks. The soundtrack for one of her films was provided entirely by the audience teamwork/ competition.


    Volunteer with ATA!

    ATA is looking for volunteers to help with our Gallery and our Screenings. Volunteers run screenings, organize events, curate shows, and get stuff done. Volunteers can come to any ATA show for free. We need people who are creative and reliable.

    Email volunteer@atasite.org and become a part of something good.

  • Periwinkle Cinema: sound and Image

    0-3An  evening of live musical accompaniment and just sound noise and film collage.

    Current line-up:

    “KT SPIT – Dream World Waiting” music video by Samuel Shanahoy

    “November’s Daughter” & “Keep Going” -films by Malic Amalya / soundtracks by

    Annah Anti-Palindrome

    “Queer Origins” by Celeste Chan sound track by Nomi Lam