different ensembles ranging from the Vietnam National Symphony Orchestra at Carnegie Hall to national broadway tours like Ain’t Too Proud, Dirty Dancing, and Tina: The Tina Turner Musical. Miles is dedicated to creating new media and has done so at the New York Film Festival, Lincoln Center, Apollo Theater, deYoung Museum, Joyce Theater, Fort Mason Center for Arts & Culture, A.C.T., SXSW and Snap Studios/KQED.
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Rewards Program
An improvisational music project featuring Miles Lassi, Zekarias Thompson, and Skyway Man set to expanded cinema 16mm and 35mm slide projections by Ellie Vanderlip.A three-projector celluloid meditation live-scored by improvisational trio Rewards Program, on tectonics, shifting earth, and geologic time.MILES LASSI is an interdisciplinary artist based out of Oakland, CA. As a musician, he has performed in over 150 cities throughout North America, Europe and Asia with many
different ensembles ranging from the Vietnam National Symphony Orchestra at Carnegie Hall to national broadway tours like Ain’t Too Proud, Dirty Dancing, and Tina: The Tina Turner Musical. Miles is dedicated to creating new media and has done so at the New York Film Festival, Lincoln Center, Apollo Theater, deYoung Museum, Joyce Theater, Fort Mason Center for Arts & Culture, A.C.T., SXSW and Snap Studios/KQED.SKYWAY MAN is the alias of keyboardist, songwriter, and producer James Wallace. Based in Oakland via Richmond, VA, and Nashville, TN, he has released seven albums and composed music for Film/TV, including Joe Pera Talks With You (HBO). Over the past 15 years, he has toured extensively across the U.S., Europe, and Asia, performing at festivals like Bonnaroo, Pickathon, SXSW, Hardly Strictly Bluegrass, and Wilco’s Solid Sound. He has collaborated with Abigail Washburn, Langhorne Slim, Erin Rae, and Maya Hawke, among others. Brittany Howard once named his band a favorite local act in Rolling Stone, and his work has been featured in NPR, The Wall Street Journal, and Stereogum. He’s produced 20 full-length albums for other artists, including Bay Area musicians Mikayla McVey, Milk for the Angry, and Pancho Morris. Over the past few years he’s developed a practice of live instrumental film scoring using keyboards and sequencers.ZEKARIAS MUSELE THOMPSON (b. 1983, they/them/their) is an artist based in Oakland, CA, and Reykjavik, IS often working in sonic composition, mark-making, photography, collaborative group practice & performance, and writing. Their practice is concerned with humanity’s conceptual and emotional organizational structures—and how we bring them into material form. Zekarias has presented solo exhibitions and projects at the Museum of the African Diaspora, the Berkeley Art Museum and Pacific Film Archive, The Lab, Gray Area, the Santa Cruz Museum of Art and History, and the Center for New Music and Audio Technologies. Zekarias is a co-founder of Working Name Studios, a collectively owned and organized arts institution with the mission of building institutional stability and equity for underrepresented creative practices, ideas, and people. They were part of the Emerging Artist Program at the MoAD for 2024, and are currently an MFA candidate in the Department of Art Practice at UC Berkeley.ELLIE VANDERLIP is a San Francisco-based experimental filmmaker, performer, and educator. She received her MFA in Cinema from San Francisco State University in 2022. She is a co-director at Oakland’s Shapeshifters Cinema, on the board of directors at San Francisco’s Cinematheque, and maintains a studio at Artists’ Television Access. She has hosted filmmaking workshops with the Exploratorium, Yerba Buena Center for the Arts, and the University of San Francisco, and lectures at St. Mary’s College and San Francisco State University. Her primary focuses are found footage experimental documentary, material cinema, and expanded cinema performance. Her work has screened nationally and internationally, including at San Francisco DocFest and Belgrade’s Kinoscope Festival, and has upcoming writings about alternative archives in Found Footage Magazine. -
FREEING JUANITA
Juanita has been unjustly detained in Reynosa, Mexico for over seven years, accused of a crime she didn’t commit and forced to confess in a language she didn’t understand.This intimate portrait follows Ana and Pedro, Juanita’s aunt and uncle, on their thousand-mile journey from the highlands of Guatemala to Northern Mexico. With the help of a network of Maya interpreters and the family’s Maya Chuj community, they fight for Juanita’s release and demand justice from the Mexican authorities, a cause that became internationally recognized for its defense of migrants’ rights and language justice.
https://www.freejuanitafilm.com/
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OC: CLIMATE CHANGE BENEFIT
SNIDER + RENWICK + COLBURN + GREER +
Our penultimate Spring event is an amazing effort to mobilize the community against ever-threatening Climate Collapse, in a rich feast of film art and craft that’s as current as the recent LA wildfires! Spotlit is SF Arts Comm. grantee Greta Snider, with her hand-made masterpiece In the Maritime Frequencies, framed by her spoken-word essay. Locals Anjali Sundaram (Fifth Day). Ellie Vanderlip (Elephant’s Foot), Michelle Segura (Whisper of the Tides), and Carlos Ortega (Temperature.me) also share shorts. Portland‘s Rankin Renwick kicks in their Mighty Tacoma, rhapsodizing on Pac Coast landscape and infrastructure, as do Vanderlip and Segura in regards to the waters of our own SF Bay. Lydia Greer offers a healthy chunk from her magnum opus Endless End, and Pasadena-based Martha Colburn demonstrates her present-tense creative intelligence with the West Coast debut of Eaton Fire, on the SoCal firestorm. PLUS: Frank Stauffacher‘s classic kino-poem Notes on the Port of St. Francis (1951), Robert Louis Stevenson‘s legendary lyric here intoned by Vincent Price. Now, Greenpeace has just lost a $660 million suit filed by Big Oil Energy Transfer, for its alleged “defamation” of the corporation during the Standing Rock protests(!!), so we’re sending the door monies to that noble non-profit. $12-120.