Blog

  • OpenScreening

    openscreeningATA’s openscreening is the only monthly open submissions screening in the Bay Area. Get your work out there! Get feedback! Or just come and take it all in! One hour of shorts are accepted monthly on an open revolving basis, anything goes with the screened work, and the refreshments are pretty good too. $5, FREE admission for contributing artists. Door:7:30pm Projector: 8pm

    Not a filmmaker? Come and hang out with us anyway. Enjoy the atmosphere, the art, the movies, the people, the refreshments

    Submissions: Label all tapes w/ name, contact, title and length. Mail to: Openscreening, 992 Valencia, SF, 94110 1-2 week advance submissions strongly recommended. If not. . . it is all good. Max length: 15 min. Formats: DVD, miniDV/DVcam, VHS, beta, 8mm and 16mm All genres.

    More Info: contact  
    Programming@atasite.org

  • Queer Rebels presents: SPIRIT

     SPIRIT: Queer Asian, Arab, and Pacific Islander Artivism. A rainbow of rabble-rousers. From the Arab Spring to Angel Island to Third World Liberation, these untold queer stories spring to life. Come see fresh performance and film/video from Asian, Arab, and Pacific Islanders artivists! Facebook invite

     Queer AAPI Artivism – Films by:
     Celeste Chan, Devyn Manibo, Gein Wong, Jeepneys, Kirthi Nath, Laura Kim, Riko Fluchel, and more! 

    SPIRIT is curated by Queer Rebels and commissioned by the Queer Cultural Center for the 2014 National Queer Arts Festival.

    www.facebook.com/QRProductions

  • Sistah Sinema: Margarita The Movie & Brazos Largos

    hqdefaultBrazos Largos (9 mins)

    This auto-ethnography by trans Latino filmmaker Migueltzinta Solis, details the nomadic consanguinity of landscape, faith and matrilineal histories innate to their Mexican migrant identity. Brazos Largos is about the relationship between the filmmaker and his grandmother and her history as a Mexican immigrant and his relationship to her.

    Margarita The Movie (90 mins)

    In the guise of a family drama, Margarita looks, through the eyes of a hard-working illegal, at social injustice as it relates to class, race and immigration policy. With warmth, humour, and candour, Margarita also tells the story of the disillusionment, resentment and alienation that inhabit the margins of our closest relationships.

    The Latina has a passion for life and people. She throws groovy hot tub parties for a posse of outrageous friends and flirts mercilessly with hunky Brazilian handyman Carlos who clearly worships the ground she walks on. But, she’s already in love. The object of her desire is Jane, a shy, commitment-phobic law student, who, although she clearly loves Margarita, is hesitant to bring their relationship out of the shadows.