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  • Personal Lens, Media for Social Change Final Class Screening

    Personal LensJoin us for the final film screening of the *Media for Social Change* class at the UC Berkeley’s Art Practice Department!

    Participating Artists: Tara Baghdassarian, Anyun Chatterjee, Irene Chen, Janie Contreras, Belinda Cortez, Sarah Del Monte, Vanessa Donasco, Suzi Hyun, Shannon Kim, Kay Kuok, Alicia Lemus, Mel Nothern, Reaa Puri, Sophia Sobko, Susan Stewart, and Rae Strozzo.

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    In this collection of works the artists employ their unique personal lenses, exploring what has influenced their own ways of seeing while offering viewers an experiential journey.

    The resulting experimental, fictional, and documentary videos utilize metaphor, symbolism and poetic gestures to narrate lived experiences, share personal philosophies and world views, and raise awareness about pressing issues.

    About the class:
    The Media for Social Change course surveyed new media from a lens of personal transformation and artistic activism as a means to create positive social change. This course examined the uses of mass media in contemporary society worldwide–news, advertising, propaganda, censorship, and power–and consider the tremendous potential this medium has to subvert and transcend these uses–through art, activism, collaboration, transparency, global accessibility, and citizen journalism–as a powerful tool in hands of a technologically savvy generation.

  • ELUSIVE TRUTH

    Screen Shot 2016-05-02 at 3.16.00 PMNon-fiction films by first-year MFA Film students at California College of the Arts.
    Program:

    Grandmother and Me; Kat Cole, 2016, 6min

    With her wedding approaching, Kat Cole creates a visual letter to her fiancé’s only living grandparent: his 100-year old grandmother whom she will never meet. In this intimate documentary, Cole exhumes long-kept secrets to capture the complexities of familial love and the subtle effects of transphobia in the home.

    An Overpraised Odyssey; Kaixiang Gao, 2015, 6min

    In 1995, Chinese director Jeffrey Lau made an action-comedy A Chinese Odyssey, failing to either receive positive reviews or appeal to mainstream audiences, the movie was considered a box office disaster. Yet five years later it generated thousands of internet memes and was considered by the young generation to be one of the best movies China has ever made. What turned the tide and where does the tide go from there?

    The Lost Leader; Mark Brecke, 2016, 12min

    The Lost Leader is an urbanized history of Somalia’s motion-picture industry uncovered in Mogadishu’s cinemas.

    The Only Thing I Need to Know; Zachary Gallagher, 2015, 6 min

    There is a tendency for youths, in the midst of their various rebellions and delusions of all encompassing knowledge, to forget that our parents were once like us. Children. This project was an attempt at beginning to understand my mother’s earlier life, back when she was just, “Meg.” However the desire to find this young woman was rooted in more than sheer curiosity. It was an attempt to meet a version of my mother that existed before she was diagnosed with Multiple Chemical Sensitivity, an illness that drastically altered the course of her life and it was also an opportunity to begin to understand my growth had been affected by it. It was a chance to ask the questions I have always been trying forget existed.

    Liu Wei ; Chieh-Ju Pai, 2016, 11min

    Lui Wei was born in 1968, during the time China was in its Cultural Revolution. Her family was seen as anti-revolutionists because her father composed a satirical poem about Mau and Chiang Kai-Shek during the Great Leap Forward(1958-1960). She was abused by other children in school because of her father’s reputation. The only peaceful moment she had was that her mother gave her singing lessons after work. After years of practice, music led her to find her own dignity in her childhood.

    916; Shane Watson, 2016, 6min

    What happens when your landlord dies? In the Bay Area a greedy new landlord comes about and tries to evict tenants who have lived in their homes for years. In 916, a recent high school graduate tell the story of how her family received an eviction notice for the home she’s lived in for over a decade.

    Masochism of the Margins; Cyrus Yoshi Tabar, 2016, 16min

    In 1984, experimental filmmakers looking for a venue to share their work founded Artist Television Access in the gritty Mission District of San Francisco. From the beginning filmmaker Craig Baldwin— long-time bastion of underground and experimental film— has put on a weekly show called Other Cinema, featuring marginalized films. Fast forward 31 years later to 2015, the city is rapidly changing and ATA faces eviction. In Masochism of the Margins, Cyrus Yoshi Tabar documents Craig Baldwin as he faces possible eviction from his home of 31 years and struggles to negotiate with the landlord who insists on a 60% rent increase. The film is an intimate look into the life of a man whose everyday existence is threatened by the forces of gentrification and greed. A portrait of Baldwin during a time of uncertainty, Tabar mixes candid interviews and observational footage, immersing viewers in the historic space of ATA and Craig’s basement studio/archive.

  • Other Cinema: SUBCULTURAL SAVIOR

     GATEWOOD: THE TOOTHPASTE IS OUT OF THE TUBE + WEIRD SF +
    Last week the world was shocked to learn of the death of our beloved Bernal Heights neighbor, internationally renown photographer Charles Gatewood, a trail-blazing documentarian of outsider sub-cultures for the greater part of his life. Despite the extremity of his subject matter, Charles remained a wonderful, charming gentleman, a model of healthy curiosity, acceptance, and generosity who constantly gave back to the tribal communities he passed through. His later work shifted into video recording of body modification and ritual, paving the way for the Modern Primitive movement. Opening for the US premiere of Carl Abrahamsson‘s Toothpaste doc is an hour’s worth of tributes and shorts, including clips from his Weird San Francisco series, scenes from Dances Sacred and Profane, highlights from Anthony Buchanan‘s recent visit, and a personal memorial from his multi-talented collaborator Justin Clifford Rhody.