A three-projector celluloid meditation live-scored by improvisational trio Rewards Program, on the passage through the veil and 20th century terrors.
A three-projector celluloid meditation live-scored by improvisational trio Rewards Program, on the passage through the veil and 20th century terrors.
https://cinemas17.eventive.org/schedule/laughter-is-medicine-comedy-shorts-68da5fd470e947a34d60106b
Who said cinema can’t be hilarious and insightful? This comedy block promises dark, witty takes on messy relationships and social anxieties. “Juana Pelos” captures the awkward and rebellious phase of puberty when a young girl contends with body hair, while “#1 BAD DAD” introduces us to a former villain forced into the most mundane and challenging role of all: fatherhood.
Keep an eye out for “Mean Goals,” a heartwarming film about an “adorkable” gay Latino joining an LGBTQ soccer team to bond with his father, and the class-conscious romance of “Some Of Us Watch The Sunset, Too,” where a great new relationship is threatened when one partner discovers the other’s massive wealth. Prepare to laugh, because these shorts hit close to home.
ANGELO MADSEN: A BODY TO LIVE IN
Arguably America’s most prominent trans maker, Angelo (North by Current) Madsen has placed their West Coast theatrical premiere here in thee feisty microcinema that, for almost four decades now, has stood up for queer empowerment, sex-worker rights, and the Modern Primitive movement. In fact, ReSearch‘s V Vale, Paul King, and Cleo Dubois–widow of the subject of tonight’s doc–are all on hand tonight to introduce Madsen‘s masterwork, a feature-length exploration of the huge human community who find erotic, psychic, and spiritual satisfaction in binding, piercing, and tattooing their bodies as they please…a subculture aptly represented by the life and career of recently deceased Fakir Musafar. Dubois gave Madsen free rein to bring to light more than a hundred hours of previously unseen recordings, to be stitched together with Musafar‘s stunning photographs and the voices of performance artists Annie Sprinkle and Ron Athey. While Madsen‘s provocative profile questions assumptions about “masculine/feminine”, and considers issues of BDSM control and consent, it also acknowledges the complexity of other ethical issues surrounding the practices, faces the charges of (Native) cultural appropriation, and forces audiences to think critically about the line(s) between free individual expression and reckless self-harm. $13