Blog

  • Rewards Program

    A three-projector celluloid meditation live-scored by improvisational trio Rewards Program, on the passage through the veil and 20th century terrors.

    MILES LASSI is an interdisciplinary artist based out of Oakland, CA. As a musician, he has performed in over 150 cities throughout North America, Europe and Asia with many different ensembles ranging from the Vietnam National Symphony Orchestra at Carnegie Hall to national broadway tours like Ain’t Too Proud, Dirty Dancing, and Tina: The Tina Turner Musical. Miles is dedicated to creating new media and has done so at the New York Film Festival, Lincoln Center, Apollo Theater, deYoung Museum, Joyce Theater, Fort Mason Center for Arts & Culture, A.C.T., SXSW and Snap Studios/KQED.
    SKYWAY MAN is the alias of keyboardist, songwriter, and producer James Wallace. Based in Oakland via Richmond, VA, and Nashville, TN, he has released seven albums and composed music for Film/TV, including Joe Pera Talks With You (HBO). Over the past 15 years, he has toured extensively across the U.S., Europe, and Asia, performing at festivals like Bonnaroo, Pickathon, SXSW, Hardly Strictly Bluegrass, and Wilco’s Solid Sound. He has collaborated with Abigail Washburn, Langhorne Slim, Erin Rae, and Maya Hawke, among others. Brittany Howard once named his band a favorite local act in Rolling Stone, and his work has been featured in NPR, The Wall Street Journal, and Stereogum. He’s produced 20 full-length albums for other artists, including Bay Area musicians Mikayla McVey, Milk for the Angry, and Pancho Morris. Over the past few years he’s developed a practice of live instrumental film scoring using keyboards and sequencers.
    ZEKARIAS MUSELE THOMPSON (b. 1983, they/them/their) is an artist based in Oakland, CA, and Reykjavik, IS often working in sonic composition, mark-making, photography, collaborative group practice & performance, and writing. Their practice is concerned with humanity’s conceptual and emotional organizational structures—and how we bring them into material form. Zekarias has presented solo exhibitions and projects at the Museum of the African Diaspora, the Berkeley Art Museum and Pacific Film Archive, The Lab, Gray Area, the Santa Cruz Museum of Art and History, and the Center for New Music and Audio Technologies. Zekarias is a co-founder of Working Name Studios, a collectively owned and organized arts institution with the mission of building institutional stability and equity for underrepresented creative practices, ideas, and people. They were part of the Emerging Artist Program at the MoAD for 2024, and are currently an MFA candidate in the Department of Art Practice at UC Berkeley.
    ELLIE VANDERLIP is a San Francisco-based experimental filmmaker, performer, and educator. She received her MFA in Cinema from San Francisco State University in 2022. She is a co-director at Oakland’s Shapeshifters Cinema, on the board of directors at San Francisco’s Cinematheque, and maintains a studio at Artists’ Television Access. She has hosted filmmaking workshops with the Exploratorium, Yerba Buena Center for the Arts, and the University of San Francisco, and lectures at St. Mary’s College and San Francisco State University. Her primary focuses are found footage experimental documentary, material cinema, and expanded cinema performance. Her work has screened nationally and internationally, including at San Francisco DocFest and Belgrade’s Kinoscope Festival, and has upcoming writings about alternative archives in Found Footage Magazine.

     

  • CINE+MAS: Laughter Is Medicine- Comedy Shorts

    https://cinemas17.eventive.org/schedule/laughter-is-medicine-comedy-shorts-68da5fd470e947a34d60106b

    Who said cinema can’t be hilarious and insightful? This comedy block promises dark, witty takes on messy relationships and social anxieties. “Juana Pelos” captures the awkward and rebellious phase of puberty when a young girl contends with body hair, while “#1 BAD DAD” introduces us to a former villain forced into the most mundane and challenging role of all: fatherhood.

    Keep an eye out for “Mean Goals,” a heartwarming film about an “adorkable” gay Latino joining an LGBTQ soccer team to bond with his father, and the class-conscious romance of “Some Of Us Watch The Sunset, Too,” where a great new relationship is threatened when one partner discovers the other’s massive wealth. Prepare to laugh, because these shorts hit close to home.

  • OC: BODY MODIFICATION

    ANGELO MADSEN: A BODY TO LIVE IN

    Arguably America’s most prominent trans maker, Angelo (North by Current) Madsen has placed their West Coast theatrical premiere here in thee feisty microcinema that, for almost four decades now, has stood up for queer empowerment, sex-worker rights, and the Modern Primitive movement. In fact, ReSearch‘s V Vale, Paul King, and Cleo Dubois–widow of the subject of tonight’s doc–are all on hand tonight to introduce Madsen‘s masterwork, a feature-length exploration of the huge human community who find erotic, psychic, and spiritual satisfaction in binding, piercing, and tattooing their bodies as they please…a subculture aptly represented by the life and career of recently deceased Fakir Musafar. Dubois gave Madsen free rein to bring to light more than a hundred hours of previously unseen recordings, to be stitched together with Musafar‘s stunning photographs and the voices of performance artists Annie Sprinkle and Ron Athey. While Madsen‘s provocative profile questions assumptions about “masculine/feminine”, and considers issues of BDSM control and consent, it also acknowledges the complexity of other ethical issues surrounding the practices, faces the charges of (Native) cultural appropriation, and forces audiences to think critically about the line(s) between free individual expression and reckless self-harm. $13