Blog

  • Matters of Practices/Actions/Doings

    Light Field  presents:

    Fugue (2015, 8 min, 16mm, sound, b/w)

     Fugue is a formal and physical experiment in order to understand the relationship between image, sound, and movement. The movements and the setting are informed by motion studies that were conducted and filmed at the beginning of the 20th century with the aim to use filmmaking for analyzing motions of manual mechanized labor as well as concepts of biomechanics that elaborate the relation between body and mind as a form of actor’s training. In the film, the movements that are recorded are also printed on the part of the film strip that is read as optical sound by the light sensitive sensor of the projector. What you hear is what you see. The image recurs as movement and the movement recurs as sound.

     Matters of Practices/Actions/Doings (2016, 25 min, performance)

    Through an exploration of movement and sound, rhythm and physicality in the material film, I examine the relation between sound and physicality and sound and the body of film. I analyze the technical procedure of movement of film and movement of the body, and the links between those sounds and movements in order to understand both the actual and active part of movement as a component of the film material as well as the consequences the material has for social and physical bodies.

    Bio:

    Kerstin Schroedinger is an artist working with video, sound and text. Her historiographic practice questions the means of film production, historical continuities and ideological certainties of representation. Her films and curatorial practice are often collaborative.

    Recent films include Fugue (Film, 2015), as well as Rainbow’s Gravity (Video, 2014), Red, she said (Video, 2011) both with Mareike Bernien. Her work has been shown at the Whitney Museum of American Art, MIT List Visual Arts Center Boston (2016), FMAC Mediathèque Genve (2016), The School of Kyiv – 2nd Kiev Biennale 2015, Forum Expanded of Berlinale, Short ٍFilm Festival Oberhausen, International Film Festival Toronto, amongst others.

    with:

    The Man Who Could Not See Far Enough – Peter Rose (1981 / 33 minutes / 16mm / color / sound)

    “A powerfully formal, analytic inquiry into the nature of vision and cinema… painfully beautiful images of mysterious events and things that split, multiply, migrate and quiver with a hallucinatory vibrance… a rich fabric interlacing the metaphysical with the ironical.” – Sally Banes, The Village Voice

     

    Light Field is a new artist-run film festival located in the San Francisco Bay Area showcasing experimental/avant-garde films with an international focus.

  • Other Cinema: EMMA GOLDMAN (ABIGAIL CHILD’S ACTS AND INTERMISSIONS)

    Comes now the West Coast premiere of Child’s marvelous re-mediation of the life and work of Emma Goldman, arguably the mother of American Anarchism. Abby is out here from NYC with her hour-long collage-essay, charging the discussion with her enlightened aesthetic of poetry, the archive, and experimental montage. As the Most Dangerous Woman Alive, Goldman’s life is seen as an ongoing negotiation of revolutionary purity and personal freedom, a complexity that Child mirrors in her own formal strategies. She layers multiple fragments of Emma’s liberatory legacy–from archive, from re-enactment, and from observational cinema–her speculative play with the revolutionary ideas extending to the present moment of feminist revolt! Opening: The Future Is Behind You (20 min.), a John Zorn-scored cine-poem which also celebrates Child’s insatiable visual curiosity in the endlessly generative integration of past and present 16mm sources.

  • OpenScreening

    ATA’openscreening.jpeg.pagespeed.ce.NgD79VABiRs Open Screening is the only monthly open submissions screening in the Bay Area. Get your work out there!

    The first Thursday of every month we have an Open Screening. An Open Screening is where we invite local filmmakers to show their short subject films (under 15 mins.). It is a free event and you can either screen a film or just be a member of the audience. Either way it is FREE. It is a great place to network, if you are a filmmaker, crew member, actor or a fan of local films. Please let us know if you would like to screen something. We love films and would love to see yours.

    Submissions: Label all tapes w/ name, contact, title and length. Mail to: Open Screening, 992 Valencia, SF, 94110.  1-2 weeks advance submissions strongly recommended. If not, just walk in before the show. Maximum length: 15 min. Formats: Digital File (PC or Mac),  DVD, miniDV/DV-cam, VHS, beta, 8mm and 16mm. For 8mm and 16mm films give us advance notice.

    Door opens at 7

    contact: programming@atasite.org