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  • The New Talkies

    Live film narrations by Jaime Cortez, Tongo Eisen-Martin, Douglas Kearney and Nicole McJamerson, Tatiana Luboviski-Acosta, Konrad Steiner, Jennifer Tamayo, Anuj Vaidja, and Stalina Emmanuelle Villarreal

    organized by Konrad Steiner and Anuj Vaidja
    co-sponsored by The Poetry Center and Artists’ Television Access
    http://poetry.sfsu.edu/events/29052-new-talkies-live-film-narrations-ata

    The New Talkies is a evening-length program featuring live film narrations by Jaime Cortez, Tongo Eisen-Martin, Douglas Kearney and Nicole McJamerson, Tatiana Luboviski-Acosta, Konrad Steiner, Jennifer Tamayo, Anuj Vaidja, and Stalina Emmanuelle Villarrea.

    This evening of neo-benshi performances will consist of screening several film clips (short edits from feature films or other mass media) re-narrated live for the audience. Scripts are written and performed by authors from the Bay Area, New York, Los Angeles, and Houston to short excerpts from such blockbusters as The Sound of Music; the Mexican feature, Lola La Trailera (Lola the Truck Driver); the animated series Dora, the Explorer; and the obscure The Assassination of Trotsky; to the cult classic Carnival of Souls.

    Writer/performers include:
    Anuj Vaidya
    Douglas Kearney
    Jaime Cortez
    Jennifer Tamayo
    Konrad Steiner
    Nicole McJamerson
    Stalina Villarreal
    Tatiana Luboviski-Acosta
    Tongo Eisen-Martin

    Jaime Cortez is an California artist, writer, and cultural worker. His art practice encompasses mixed media, photo, sculpture, installation, and often centers on drawing. He has exhibited his art at the Berkeley Art Museum, the Oakland Museum of California, The Intersection for the Arts, Galería de la Raza, Southern Exposure, Martina Johnston Gallery, and the Yerba Buena Center for the Arts. Jaime’s short stories, comics, and essays have been anthologized in over a dozen anthologies, including “KinderGarde,” “Street Art San Francisco,” and the groundbreaking LGBT comic anthology “No Straight Lines.” Jaime has given readings and occasional performances at venues across the Bay Area. He received his MFA from UC Berkeley.

    Tongo Eisen-Martin, originally from San Francisco, is a movement worker and educator who has organized against mass incarceration and extra-judicial killing of Black people throughout the United States. He has taught in detention centers from New York’s Rikers Island to California county jails. He has been a faculty member at the Institute for Research in African-American Studies at Columbia University, and designed curricula for oppressed people’s education projects from San Francisco to South Africa. His latest curriculum on extrajudicial killing of Black people, We Charge Genocide Again, has been used as an educational and organizing tool throughout the country. He is also a revolutionary poet who uses his craft to create liberated territory wherever he performs and teaches. His first full-length book of poems, Someone’s Dead Already (Bootstrap Press), was nominated for a California Book Award. He recently lived and organized around issues of human rights and self-determination in Jackson, Mississippi. His second book, Heaven Is All Goodbyes, will be out soon in City Lights Books’ venerable Pocket Poets series.

    Douglas Kearney has published six books, most recently, CLMP Firecracker and California Book Award silver medalist Buck Studies (Fence Books, 2016), which BOMB says: “remaps the 20th century in a project that is both lyrical and epic, personal and historical.” Publisher’s Weekly called Kearney’s Mess and Mess and (Noemi Press, 2015) “an extraordinary book.” He teaches at CalArts.

     

    Tatiana Luboviski-Acosta is an artist. They are the author of The Easy Body (Timeless, Infinite Light, 2017). Born in Mexico City, raised in HIghland Park (Los Angeles), they live in San Francisco.

    Nicole McJamerson is a bureaucrat and a writer. She has, in the name of live film narration, acted as a film critic, a sociologist, and a marketing executive for a company that rents humans to other humans. Raised in Northern and Southern Louisiana, she lives with her family in California’s Santa Clarita Valley.

    Konrad Steiner has lived in the Bay Area since 1979. Since then he has made single-channel works in film and video; curated, produced and performed in live cinema events; served as a film programmer at SF Cinematheque; collaborated on original film and performance works with poets Leslie Scalapino and Carla Harryman, and composers Lisa Mezzacappa, Matt Ingalls (sfSound) and Jon Raskin (ROVA Saxophone Quartet); and with Irina Leimbacher produced the screening and performance series Kino21 from 2007 through 2009 in San Francisco, CA.

    Jennif(f)er Tamayo is a queer, migrant, latinx poet, essayist, and performer. JT is the daughter of Nancy, Flora, Leonor y Ana. Her books include [Red Missed Aches] (Switchback, 2011) selected by Cathy Park Hong for the Gatewood Prize (2010), Poems are the Only Real Bodies (Bloof Books 2013) and YOU DA ONE (2017 reprint Noemi Books & Letras Latinas’s Akrilica Series). Her essays and poetry have been widely published including in Poetry magazine, Best American Experimental Poetry, Mandorla: Writing from the Americas, Bettering American Poetry 2015, and Angels of the Americlypse; An Anthology of New Latin@ Writing. She has held fellowships from NYU’s Hemispheric Institute for Performance and Politics and CantoMundo. Currently JT is studying the liberatory possibilities of voice and voicing. You can find their writing and art at www.jennifertamayo.com.

    Anuj Vaidya is an artist, educator and curator who is currently pursuing a doctoral degree in Performance Studies at UC Davis. His own artistic practice has grown from addressing questions around the constructed nature of gender/sexuality (through films like Chingari Chumma and Bad Girl with a Heart of Gold, and neo-benshi performances such as Aur Paschim: Transvestites in Space) to the constructed nature of nature/culture. In his most recent work, Miss Piggy, Live with Diane Sawyer, Miss Piggy (played by the artist himself) gives an interview about her latest celebrity cause – ecology. Anuj’s ongoing project, Sitayana: Forest Tales is a queer eco-feminist film adaptation of the Indian epic, The Ramayana. Since 2007, Anuj has been co-director for the 3rd i South Asian Film Festival in San Francisco.

    Stalina Emmanuelle Villarreal lives as a rhyming-slogan creative activist. She is a Generation 1.5 poet (Mexicana and Chicana), a translator, a sonic-improv collaborator, and an instructor of English. She is a Ph.D. student in the Creative Writing Program at University of Houston. Her M.F.A. in Writing is from California College of the Arts. She coauthored an article with a historian in the book ¡Chicana Movidas!: Mapping Technologies of Resistance in the Movimiento Era (University of Texas, forthcoming). Her poetry can be found in the Rio Grande Review and the Texas Review. She has published translations of poetry, including Enigmas, by Sor Juana Inés de la Cruz (Señal: a project of Libros Antena Books, BOMB, and Ugly Duckling Presse, 2015), but she mostly translates regiomontana poet Minerva Reynosa (Mandorla, 2012); Reynosa and Villarreal’s most recent publication is a chapbook called Photograms of My Conceptual Heart, Absolutely Blind (Cardboard House Press, 2016).

    The Poetry Center at San Francisco State University
    http://poetry.sfsu.edu/

  • ANALOGICA SELECTION 6

    Katagami / Michael Lyons / 03:10 / 2016 / Super8 (digital presentation) / Japan/Canada/U.K.
    Stop-motion animation made by photographing and re-photographing antique kimono resist-dyeing stencils in positive and negative. Small variations in the repeating pattern elements generate apparent motion. Developed in Matchanal (powdered green tea, vitamin
    C, washing soda).

    Michael Lyons is a researcher and artist based in Kyoto, Japan. He works as Professor of Image and Arts and Science at
    Ritsumeikan University, and is currently enjoying a nearly 100% analogical sabbatical in Barcelona, Spain. He hold an artistic
    residency at Hangar, where he is building a new optisonic modular synthesizer and is also a visiting member at Crater Lab.

    Deux Champs (Two Fields) / Kevin Obsatz / 07:51 / 2015 / 16mm (digital presentation) / USA
    In 1953, a young photographer in Greenwich Village took a photo of Marcel Duchamp that was double-exposed by mistake. Over 50 years later, he saw his own photo in Smithsonian Magazine, and learned that it would be featured at the Smithsonian Museum in a Duchamp retrospective. Deux Champs (Two Fields) is a short, black and white documentary shot on 16mm film which gives Victor Obsatz, now in his 90s, an opportunity to reflect upon that day, and everything that has happened since.

    Kevin Obsatz is the son of the cousin of Victor Obsatz, but the two had never met until one day in the spring of 2015, when Kevin arrived in New Jersey to capture this story with a 16mm Bolex camera. Since the crux of the story is a double-exposed black and white negative, it seemed important to shoot this project on film and create double-exposures in-camera, trusting in fate that the footage would turn out okay.

    Invocation of Uzi / Ross Meckfessel / 04:30 / 2014 / Super8 (digital presentation)/ USA
    Ostensibly an abstracted portrait of actress Jojo Hill as she portrays five different characters in this behind-the-scenes documentary of Uzi’s Party: an experimental pagan teen drama by Lyra Hill. However, the film is also a ritual in and of itself; it captures the energies within the pagan temple used as a filming location, while visually portraying the disintegration of identity that occurs throughout the narrative of Uzi’s Party.

    Ross Meckfessel is an artist and filmmaker who works primarily in Super 8 and 16mm film. His films often utilize pop music, appropriated commercial images, and horror tropes emphasizing materiality and poetic structure while exploring apocalyptic obsession, contemporary ennui, and the technological landscape. His work has screened internationally and throughout the United States including CalArts, Onion City Film Festival, and The 100 Dollar Film Festival where he was awarded best 16mm film.

    Notes from the Interior / Ben Balcom / 11′ / 16mm (digital presentation) / 2015 / USA
    Wandering through the body puzzling out a system of symbols. The trouble is, affect resists signification outright. The inside and outside become muddled when you start to feel your body in relation to an image.

    Ben Balcom was born in Massachusetts and raised in Illinois. He received his MFA in Film, Video, Animation, and New Genres from the University of Wisconsin-Milwaukee, and his bachelor’s degree in Film-Video Production from Hampshire College. Ben currently teaches film production at UWM and is the technical director for the Milwaukee Film Festival. He is also a co-founder and programmer of Microlights Cinema. Since 2013, Microlights has hosted nearly 30 film and video artists from around the world.

    Terre di Peccioli / Arepo / 2′ / 16mm (digital presentation) / 2016 / UK
    A short documentary showing the daily life of a small Tuscan village, where people seem to magically merge with the rural surrounding and where time appears to have stopped.

    Arepo is a filmmaker based in London, where he founded his own production company Arepo Films, specializing in the use of 16mm and 35mm film media. Credits include Contemplazione, Eso and Music Sound Machine.

    Document for Hope / Margaret Rorison / 07:40 / 2016 / 16mm (digital presentation) / USA
    The sterile and procedural narrative of the Baltimore City Police Scanner recorded on Monday April 27 against precious moments of gathering, celebration and protest in Baltimore from April 28 – May 3, 2015.

    Documentation: Margaret Rorison // Thanks to Karl Ekdahl for providing the BCP scanner recordings. Baltimore, Maryland 2015. Margaret Rorison is an artist and curator from Baltimore, Maryland. Her current work often develops from solitary walks through rural and urban landscapes, using in-camera editing techniques and field recordings to create short 16mm films and live performances accompanying other sound artists. Her work has shown at various festivals and venues in Europe and North America. Rorison is the co-founder and director of the Baltimore based experimental film and workshop series, Sight Unseen.

    The end. A mexican movie / Annalisa D. Quagliata / 2′ 33” / 16mm (digital presentation) / 2016 / Mexico
    A short film that re-appropriates and subverts the romantic story of “Two monks” (1934) focusing on the female protagonist that is murdered. The constant masculine aggression and her bold defense resonate with the issues of violence and femicide still corroding Mexico and Latin america. Two stories in one: Men putting an end to thousands of women’s lives and women fighting to put an end to that terrible history.

    Annalisa D. Quagliata (b. Veracruz, Mexico 1990) is an artist and filmmaker whose films and installations focus on the human body and portraiture. She is a graduate from Massachusetts College of Art and Design where she majored in Film/Video and Studio for Interrelated Media.

    Harbour City / Simon Liu / 14′ / 2015 / 16mm (digital presentation) / Hong Kong – UK
    A view through cracks between fish markets and high-rise buildings; urban imagery of Hong Kong and the indulgence of domestic life. Massage parlors, dim sum parlors, nail parlors —its Parlor City, baby! Views thicken; detail lost to generations. A dream of turning two images into one, a density of information reserved for the modern cloud.

    Simon Liu lives and works in Brooklyn, New York. He is a member of the artist-run Negativland Motion Picture Lab, where he prints, processes and completes his films on 16mm.

    OTARIE // Sophie B. /2′ 45” / super8 (digital presentation) / 2016 / France
    Fusion between man and animal, on an air of death metal. Sophie BOULOUX alias Sophie.B experimental filmmaker since 1999. Her work reveals a rich variety of creative concrete poetry, photographs and artwork. Many mediums which depict a real dialectic of strange worlds describing this strong probity to design some creations representing the foundations of her personality.

  • Periwinkle Cinema

    Tongues UntiedMarlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving
    Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up,
    scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap! thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap. The film closes with obituaries for victims of AIDS and archival footage of the civil rights movement placed next to footage of Black men marching in a gay pride parade. Dir. Marlon Riggs 55 min..

    As always, FREE POPCORN, Raffle and door prizes! Snacks and  drinks will be available for purchase in our snack bar!Prioritized seating for people with disabilities and/or BYOC (bring your own chair). For your convenience, please arrive early (around 7:45 p.m.). The cinema is accessible by scooter and wheelchair and our bathrooms have been remoldeled so they are now acessable too!
    We are 4 blocks from the BART. If you have any other accessibility concerns, please ask, and we invite feedback. This screen is subject
    to change.