Blog

  • ATA @ SFPL: Mingus (screening at Noe Valley Library)

    A portrait of a genius in a moment of turmoil, this unpolished but dynamic documentary follows jazz bassist, composer and bandleader Charles Mingus on the eve of his November 1966 eviction from his Lower Manhattan sublet, which he’d hoped to turn into a music school.
     
    A small crew of young New York filmmakers, energized by the immediacy of the era’s cinéma vérité filming innovations such as the use of smaller, more mobile cameras, visit Mingus at his loft.  With the power cut off and his possessions in disarray, an understandably ornery Mingus brandishes a shotgun, then tenderly plays with his daughter Carolyn. These scenes, as well as shots of the maestro out and about in Harlem and elsewhere, are intercut with future WOODSTOCK auteur Michael Wadleigh’s gorgeous chiaroscuro footage of an intimate performance with saxophonist John Gilmore & pianist Walter Bishop among more regular Mingus collaborators. Director Reichman’s sometimes combative relationship with his subject is not concealed in the editing process. Paul Arthur would later write that the film is “conscious of a voyeuristic undertow that other portrait films are at pains to disguise”.
     
    Mingus’s mindset during this period might be summed up by a reworked version of Martin Niemöller’s famous quote, “one day they came and they took the communists, and I said nothing because I was not a communist…” playing on the soundtrack as he and his fourth wife Sue are shown at an anti-war protest. After the film shoot/eviction, the composer took a three-year hiatus from recording and performing. It’s hard to blame him. Thomas Reichman, 1968, 60 minutes.
    Noe Valley Library : 451 Jersey St, San Francisco
  • The Humors (opening reception)

    Ancient Greek philosophers wrote of four temperaments (or ‘humors’) that color all of creation: sanguine, choleric, melancholic and phlegmatic. Urbanity is part of this creation, and also embodies versions of these dispositions. The Humors video series suggests urban behaviors and relationships, those of people and of the built environment itself.

    Chicago artist Yuge Zhou’s first west coast solo exhibition entitled “The Humors” will open on March 4th, running until April 8th. This exhibition features four video installations that explore the four humors (sanguine, choleric, melancholic and phlegmatic), inspired by ancient Greek philosophy but reinterpreted in a modern context to suggest urban behavior and relationships. The sound design for this series is by Stephen Farrell.

    For over a year, Zhou documented scenes of various urban locations and then collaged them into a mélange to reveal various temperaments of how the environment and humans mold and shape each other.

    “The work originates from a simple desire to make people aware of and reconsider their relationships with their surroundings—both the physical and the psychological world they live in. With the camera acting as an extension of my viewing, I document the ‘untrained performances’ of everyday moments within their confined spaces and rearrange and assemble these documentations into collaged scenes that sometimes suggests an incomplete narrative fragment, an allegorical tale or a miniature stage to gaze upon, all with an unexpected sense of mystery, anxiety, joy or fear. This process of looking and altering helps me to distill and understand these spaces and their inhabitants, not without an impulse to poeticize and transform them into my own psychological universe of introspection and isolation.”

    The installation for one of the pieces, Midtown Flutter is inspired by the concept of architectural relief (a technique where the sculpted elements remain attached but raised above the background plane). Audiences experience a gradual shift in the appearance and depth of the installation from a flat image to a three-dimensional view with protruding geometric shapes. Zhou uses techniques like relief and projection mapping to enhance the framed glimpses of scenes as well as emphasize the physicality of digital video.

    The Humors series (the sound designer for the series is Stephen Farrell):

    Green Play
    Green play is a joyful orchestration of one of the great meeting places in New York City—Central Park, a utopian playground and repository shared by locals and tourists alike. The spliced footage choreographs a single summer Sunday and encapsulates an optimism that is central to American life.

    Midtown Flutter
    Social synchronization is a phenomenon where individuals within a group influence one another’s behavioral patterns. For Midtown Flutter, I shot a variety of architecture in midtown Manhattan, allowing passersby to interrupt the scene. By selecting and then composing the video footage according to the formal qualities of the architecture within the scene, the architecture in turn dictates the patterns and flow of the pedestrians. Midtown becomes a flattened, uniform construct for this play of texture, rhythm and interruptions.

    Deep Ends 
    Deep Ends suggests a tension between carefree buoyancy, vulnerability, and inherent risk. Water on the edge of an urban landscape invites crowds, and shot from a long distance, the scene strangely oscillates between leisure fun and the aftermath of a disaster.

    Soft Plots
    Soft Plots portrays a conception of urban living that is both group-oriented and discontinuous.
    In many ways, we live big cities like we live small towns—except that our community is
    scattered across a dense network of other communities and other storied lives of which we
    only catch a glimpse. Soft Plots is a mental map of meaningful locations and (richly-inhabited)
    voids in between.

    Artist Bio:
    Yuge Zhou is a Chinese born, Chicago-based artist whose video and installation works portray ‘urban dispositions’ and explore the complex interactions between humans and their environment. Zhou earned her Master of Fine Art from the School of the Art Institute of Chicago. She also holds a Master of Engineering from Syracuse University. Zhou has exhibited her work nationally and internationally including the Grand Rapids Art Museum; Elmhurst Art Museum; York Art Gallery in UK; Chicago Cultural Center; SIGGRAPH Asia in Japan; Chicago Design Museum; Athens Institute for Contemporary Art (GA); New York State Museum among many others. Zhou's work has also been featured in the New York Magazine; The Huffington Post, Grand Rapids Magazine and Aesthetica Magazine. Zhou recently received the Santo Foundation Individual Artist Award.
    Website: yugezhou.com
    Instagram: @yugezhou

  • ELLIOT(2017)

    In celebration of the DVD release of ELLIOT, the first feature film from San Francisco based Dreams For Dead Cats Productions, Craig Jacobson &  Cassandra Sechler host an intimate screening of the movie followed by a Q&A. A limited amount of DVDs will be for sale at the event and there will also be a special drawing with 5 winners for free DVDs, the Elliot soundtrack, and a special prop from the movie!

    Set in the dark depths of a strange and mysterious power supply complex, ELLIOT tells the tale of a conflicted humanoid (Elliot) struggling to maintain his reality and understand his true identity. Elliot is thrust into a disconcerting downward spiral of despair in which he is forced to recognize the perils of his own cognition and constructed ideals in a crumbling universe where the lines between fantasy, simulation, and reality are blurred, and the fibers of Elliot’s fragile existence are ruptured. Written, Directed, and Edited by Craig Jacobson, Produced by Dreams For Dead Cats productions LLC.

    Trailer: https://vimeo.com/204122021
    www.dreamsfordeadcats.com
    www.elliotthemovie.com