Blog

  • SFAI Intro to Film Class

    Join us for the Culmination of the San Francisco Art Institute’s 2018 Fall Semester Intro to Film Class taught by    K. Laitala.

    Group Projects include: Tutti Frutti made with hand-painted loops and a Cameraless Cinegram made with a flashlight entitled: Conjuring in the Dark, and screened in glorious 16mm as well as Individual student projects by:

    Nico Aparicio
    Jose Chavez
    Kylie Clore
    Noah Brill
    Izzy Dier
    Aisjha Dunigan
    Iz Inan
    Pandora Kellywood
    Yana Liu
    Jackson Mayers
    Justin Petersen
    Kaycee Phillips
    Lyn Redd
    Siquenette

    Refreshments will be served
    Admission: $6.00

  • We Make Movies

    On Sunday, December 2nd , the Los Angeles-based film collective, We Make Movies is bringing its signature Writers Workshop back to the San Francisco film community.

    The nine-year old LA film collective, which has executive produced dozens of films in Los Angeles and Canada and collaborated on hundreds more, is excited to be partnering with the esteemed Artists Television Access for these workshops, and hope to serve the independent filmmakers of San Francisco on a regular basis.

    “This is about more than just giving artists the tools and community to improve and complete their projects, but to promote and maintain a sustainable, supportive community,” says Chad Kukahiko, the Chief of Operations of We Make Movies, “This is about making the movies that you want to see.”

    The December 2 nd workshop will feature scripts by San Francisco writers being read by San Francisco actors and getting feedback by their local artists. We Make Movies is thrilled to be working with Artists’ Television Access, which has been faithfully serving the San Francisco film community for nearly thirty-five years.
    To participate or attend the workshop, please submit ASAP for the December 2nd
    workshop using this link http://wemakemovies.org/ata

    About We Make Movies:
    Founded in 2009, We Make Movies (WMM) is a free Los Angeles-based community of independent filmmakers, writers, and actors dedicated to empowering creative professionals and providing the resources and connections to
    help them get their movies made. In Los Angeles, WMM members meet weekly to participate in readings of new
    work, rehearsal workshops, works-in-progress feedback nights, and one-off workshops such as “How to Pitch Your Film” with industry professionals. In addition, WMM is the first community funded production company awarding
    thousands of dollars to filmmakers through their Rolling Production Fund challenges.

    WMM has directly funded 28 films, co-produced over 30 films, and had hundreds of series, pilots, shorts and features come through the pipeline, as well as their first 1/2 hour comedy pilot, OFF THE GRID. entirely developed, written, cast and crewed from members in the community. In addition, WMM is Associate Producers on over 60 films per year. More than 100 shorts, six full-length features, and an official weekly WMM Sketch Show (filmed at YouTubeStudios LA) have been produced after being developed through WMM workshops. A considerable amount of these films have accrued accolades in several film festivals around the world and have also found distribution on various VOD platforms.

     

  • Other Cinema: ARCHIVE FEVER2: SCRITTI POLITTI2

    1968+50: PARIS SITUs + MEXICO CITY + SAM GREEN’s CHICAGO DNC
    David Cox and Molly Hankwitz, as Bivoulab, retrieve the absolutely essential 20th Century moment that is Paris, May 68 in their In Memorium Futuri, an hour séance/screening on Situationist cinema and its echoes off the Parisian cobblestones. Guy Debord, Michelle Bernstein, Maurice Lemaitre, and their many angry comrades were the catalysts for massive change in the West, largely through their literary and cinematic critiques of the Capitalist “Spectacle” and its destruction of everyday life. A multiplicity of excerpts are deployed in Bivoulab’s provocative talk, that bears on found-footage filmmaking, the urban “drift”, and even the present-day steamrolling of our own beloved City. ALSO: Elena Pardo’s El Otro Grito (The Other Scream), a 15-min. remembrance of the student massacre at the ’68  Mexico City Olympics. Ralph Diamant’s 16mm The Streets Belong to the People brings the global “Golden Jubilee” back home to the States, with his contemporaneous montage of Chicagostreet verité, barricade interviews, and a prescient Moog synth track. JUST ADDED: Sam Green pops in with Subterranean Celluloid from Chicago ’68, on his own Weatherman clip of Chicago ’68 footage, brokered through Diamant, Emile de Antonio, and Chris Marker. AND!: Lynne Sachs sends in a brand new 7-min. condensation of her Investigation of a Flame. PLUS a march with WilliamBurroughs, Allen Ginsburg, and Jean Genet at that DNC (from Frédéric Moffet), Roger Flint’s Spangled Banner (music by the Grass Roots!), free bread and wine, and red roses.