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$7-$10

CUNTSTOMER SERVIXXX, Oakland, CA(Popcorn pop, deconstructive gender rock, Post-work pop)

cuntstomerservixxx.bandcamp.com
facebook.com/cunstomerservixxx
https://soundcloud.com/jessica-gq-frito/sets/cuntstomer-servixxx-demos
“Estrogen” live https://www.youtube.com/watch?v=Y0sydGvH7-Y
Insta: @constantfomo

Judith Horn is a sad girl music project originated by Jeanne Oss- Born on the sandy beaches of the Mississippi, Jeanne hatched from a fish egg with her songs already written in her head. She then grew up in Wisconsin hoping to someday fly to California to learn shitty guitar and bring these songs to fruition. She played random shows in Oakland unprovoked solo style for a couple years until some friends pitied her and said they would play in her band. Now they practice once and awhile and hope to god, it sounds fine. Jeanne’s band mates are: Justin Kohlburg (bass), Brian Tester (guitar), and Alex Miner (drums). Earlier in the spring, Judith Horn released “12 Shorties” which is available on bandcamp.  
https://judithhorn.bandcamp.com/album/12-shorties

Wendy, Angel voiced Davi Jaberi is the songwriter and solo magician for Wendy. Life long East Bay baby and proud second generation Iranian American, Davi has been performing around the Bay since they were a wee teenager. Previously in the band Shaggy Sample, Wendy brings you more emotionally driven experimental pop punk. Some of their influences are Teenage Fanclub, Arthur Russell, and their 3 yr old kid.

$7-$10

Once again Periwinkle Cinema helps keep your summer going with a super fun music video mix tape! Come rock out to some of the latest videos from local queer bands! We are also still accepting submissions for new and not so new videos. We’ll show your punk, country, Indy, emo, noise, experimental, classical videos! Submit@periwinklecinema.com or on the facebook https://www.facebook.com/PeriwinkleCinema/
Help us keep the summer party going with this awesome music video mix tape!

$7-$10

Bookended by the 2011 London riots, Benedict Seymour’s dramatically, politically urgent new film retells the story of Chris Marker’s ‘La Jetée’. A man has been sent back into the past as a way of rescuing the future, his tale told by way of the Narrator who riffs on familiar film dialogue and contemporary references – unpicking the political implications of his journey and our retro obsessions. A collage, narrative, essay film hybrid, ‘Dead the Ends’, plunders some fifty years of cinema – including dystopian sci-fi – and uses emojis and gifs as ways of exploring the undercurrents of historical and current visual language, as well as present entrenched, systemic inequality. Cross-currents of thought and broad swathes of material are incisively manoeuvred, whilst, in its intellectually and dramatically gripping shape and scope, the piece feels part-situationist, part-Borgesian. It asks, in richly creative fashion, how did we get here?”

 – William Fowler, London Film Festival

Benedict Seymour is a film maker, writer and musician. Films: ‘Dead the Ends’ (director, 2017); ‘Can Dialectics Break Gravity?’ (with Matthew Noel-Tod, 2014); ‘Bang!’ (Script; Dir: Matthew Noel-Tod, 2012) and ‘The London Particular ‘(2004, with David Panos). He has been an editor of Mute Magazine in various forms since 2003 and writes essays and fiction that have appeared in various venues, books, and websites. http://www.metamute.org/editorial/articles/creativitys-rainbow Soundtracks include Melanie Gilligan’s ‘The Common Sense’ (2015) and ‘Crisis in the Credit System’ (2008); Maija Timonen’s ‘Aune, or On Effective Demise’ (2013). Musical projects include Petit Mal (2008) and Antifamily (2006). He is a supporter of Boycott Divest Zabludowicz group [https://boycottzabludowicz.wordpress.com/] and a lecturer in Critical Studies on the MFA Fine Art at Goldsmiths, London