The Lost Media Archive and the FFFF team up again to bring you a very rare screening of the universally loathed STAR WARS HOLIDAY SPECIAL. This two-hour disaster will be preceded by:
VIDEOS:
Control This – Paul Baker (Austin TX)
Deuteronomy – Dewan (NY)
Hulk Smash – Jared Clark and Chris Coy (NYC,SLC)
Cakestain! – Tyrone Davies (SF)
Polygon Sun – Johnny Rogers (Baltimore)
Exxtra Lives – Chris coy (SLC)
La Americana is an intimate documentary following an undocumented immigrant’s journey from Bolivia to New York City and back, as she struggles to save the life of her ailing daughter. Her unforgettable story is woven into the current immigration crisis in the United States, putting a human face on this timely and controversial issue.
Through interviews, reenactments and a sweeping cinema-verite narrative, La Americana takes its viewers on an international journey following the personal and political tragedy faced by one undocumented immigrant in New York City. The story begins several years ago, in the poorest country of South America.
October 2000, Cochabamba, Bolivia. Maria del Carmen Rojas, a young single mother, faces a life-changing catastrophe when her nine-year-old daughter Carla is struck and run over by a bus, leaving Carla in a wheelchair, and Carmen with insurmountable medical expenses. Unable to pay for Carla’s hospital bills and specialized care, Carmen borrows money from friends and family to keep her daughter alive. With no opportunities to earn a sufficient living to support her daughter, Carmen tries in vain to get a visa to go to the United States. As her desperation grows, Carmen decides to leave Carla behind and make the dangerous journey to the U.S. After nearly suffocating in the trunk of a sedan crossing the U.S.-Mexico border, Carmen makes it to New York where she can send money home and give her daughter the chance to live a life with opportunity, despite her disability.
June 2006, New York City, U.S.A. Living and working illegally cleaning houses and stores in the U.S, Carmen earns enough to support Carla from afar. Though Carmen is able to provide for her daughter’s medical needs, Carla does not understand why she must grow up without her mother. Carmen cannot visit Carla in Bolivia, as she knows she may not be able to cross back into the United States, on which their lives would depend. Unable to get any working papers, Carmen watches in frustration as congress defeats a bill granting amnesty to long-term undocumented immigrants. But as six years of separation approaches, so does the date at which Carmen promised her daughter they would be together again: Carla’s quiceanera. After risking her life to come to the United States, Carmen must once again sacrifice what she has come to know as home, and the security of Carla’s future, so that she can keep her word and be at her daughters side.
February 2007, Cochabamba, Bolivia. It is only seven months into Carmen’s stay, but the joyful reunion of Carla’s birthday party already seems like a distant memory. Carmen’s money has run out, and her daughter needs an operation that she cannot afford. Though no immigration agreement has been reached in Congress, 6,000 new national guardsmen have been placed on the U.S.-Mexico border. Will Carmen risk her life again in the California desert? Will Carla understand losing her mother again? Will Congress make a way for undocumented immigrants to see their families without losing their American dream?
La Americana is Carmen’s story, and the story of millions of illegal immigrants forced to leave their families behind in order to provide them a better life. It is the story of a continent divided not by values, but by a physical and political barrier that separates families indefinitely, sometimes forever. Director/Producer: Nicholas Bruckman , 65 minutes) Bolivia/USA.
Please join us Tuesday evening to celebrate the ongoing work in this month’s window installation. Stop by to chat with the artist and enjoy some sweet comestibles with the Valencia Street crowd.
Using various documentation strategies, my work examines issues of identity and social representation by focusing the lens on myself and my community. I explore the connections between constructed space and constructed subjectivity through sculpture, photography, video and projection. The spaces I create – queer, safe, architectural, and emotional – form a critically reconstructed mirror of reality, an alternative environment in which all forms of intimacy are allowed to be visible. I use social and visual material of my own life to represent spaces of transformative potential and desire.
Constructed in an ongoing process throughout the month of December, Untitled (Time Machine) is about transition, change, and creating new spaces for ourselves. The installation will explore the relationship between the heightened state of the unknown that exists in this limbo and the “familiars” that we hold onto, respond to, and that offer constants around us.
Cybele Lyle recently moved back to San Francisco after 5 years living and working in New York City. She began taking photographs in California as a child, and her desire to make art has ever since been driven by the view through the camera. She received a BA in Environmental Studies from Oberlin College in 1995, a BFA in printmaking from CCAC in 2000, and an MFA in Combined Media from Hunter College in 2007. In addition to exhibiting work nationally, she has received the Yozo Hamaguchi Printmaking Award, the Tony Smith Award, and attended residencies at Atlantic Center for the Arts and Ox-Bow. For more information on her work, please visit www.cybelelyle.com.