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Monthly Calendar

ATA Screenings

Thursday, May 27, 2010. 8PM
Odds and Ends

Friday, May 28, 2010. 7:30 Door, 8PM Screening
CCSF Student Film Showcase

Sunday, May 30, 2010. 7PM
Mrs. Goundo's Daughter
presented by The San Francisco Bay Area Chapter of the US National Committee for UNIFEM

Thursday, June 3, 2010. 8PM
CCSF Production Class

Saturday, June 5, 2010. 8PM
Mike Kuchar
An Evening of Collected Consciousness

Sunday, June 6, 2010. 1PM
Set the Screen on Fire: Films for Social Change

Tuesday, June 8, 2010. 7PM
CHRONOTOPIA:
The Past, Present & Future of Queer Histories - Media Screenings

Thursday, June 10, 2010. 7.30pm
"The Inner Tour"
A.N.S.W.E.R. Coalition Film Screening

Saturday, June 12, 2010. 8PM
Experimental films and sounds from the Bay Area

Friday, June 18, 2010. 8PM
Top of the Food Chain

ATA Events

Tuesday, June 15, 2010. 7-10pm
Jessica Miller: Flagging Allegiance
Opening reception Tuesday, June 15th, 7-10pm

Open Screening

Thursday, June 17, 2010. 7pm Door, 8PM
OpenScreening

Window Installations

May 2, 2010 - May 30, 2010.
The S.S.S.S.S.S. Presents: OBAMA TRAUMA

June 1, 2010 - June 30, 2010.
Jessica Miller: Flagging Allegiance
June 2010

Archive

Find all the past shows and gallery and window exhibitions in the Archive

View the text-only full calendar

Return to: ATA 2007 Film Festival: Auteur Space - Reelpolitik

To Watch After The White House Press Briefing, Or With The Apathetic

Mack McFarland - 2007, 1:22 min, DV, Portland, OR  

To Watch After The White House Press Briefing, Or With The Apathetic comes from a larger project called “Kinetoscopes for the 21st century_kinetocas.com.”

This project includes an interface with the audience called non-click-interaction (NCI). With NCI the viewer is asked to work with an object, timeframe, action, state, or idea that is outside of the screen or separate from the computer; to bridge the partition between the physical and the signal.

These NCI videos hope to bring about a re-embodiment of the self, through the inclusion of the physical into video – provided by the viewer, through the suggestion of the author, resulting in the poetic “physical-mash-up.” These three “kinetocasts” are also a part of a sub-series in which the physicality’s of the camera lens are used as a medium as well.

Mack McFarland is an interdisciplinary artist who splits his time between his home in Portland, Oregon and the 11th dimension. McFarland has worked in many mediums, with a focus on video and drawing. His practice is influenced by his perception of the trilateralness of art: the aesthetic, the cognitive, and the critical. McFarland’s projects invite the viewer to seek an experience that lay in potential intersections. His explorations into 21st century existence are peppered with the multi-sensory, humor, data mining, collaboration, mysticism, history, performance, and repetition.

McFarland has exhibited work nationally and internationally. He created a new work for the Portland Institute for Contemporary Arts’ Time-Based Art Festival 06, and recently finished a three-month long project for the Northwest Biennial at the Tacoma art Museum, which Sheila Farr of the Seattle Times called “startling, nutty and technologically relevant.” McFarland was awarded the William H. Givler Thesis Award in Fine Arts and the Charles Voorhies Drawing Competition, both while attending Pacific Northwest College of Art in Portland, OR. His future projects include a solo exhibit at the Portland Art Center in the fall of 2007.

Last updated 09/09/2007.