Film/Video Screenings Artists' Television (ATV) Open Screening In the Gallery Window Installations

How to Reach Us

Artists' Television Access
992 Valencia Street
San Francisco, CA 94110
(415) 824-3890
ata@atasite.org

Monthly Calendar

ATA Screenings

Thursday, May 27, 2010. 8PM
Odds and Ends

Friday, May 28, 2010. 7:30 Door, 8PM Screening
CCSF Student Film Showcase

Sunday, May 30, 2010. 7PM
Mrs. Goundo's Daughter
presented by The San Francisco Bay Area Chapter of the US National Committee for UNIFEM

Thursday, June 3, 2010. 8PM
CCSF Production Class

Saturday, June 5, 2010. 8PM
Mike Kuchar
An Evening of Collected Consciousness

Sunday, June 6, 2010. 1PM
Set the Screen on Fire: Films for Social Change

Tuesday, June 8, 2010. 7PM
CHRONOTOPIA:
The Past, Present & Future of Queer Histories - Media Screenings

Thursday, June 10, 2010. 7.30pm
"The Inner Tour"
A.N.S.W.E.R. Coalition Film Screening

Saturday, June 12, 2010. 8PM
Experimental films and sounds from the Bay Area

Friday, June 18, 2010. 8PM
Top of the Food Chain

ATA Events

Tuesday, June 15, 2010. 7-10pm
Jessica Miller: Flagging Allegiance
Opening reception Tuesday, June 15th, 7-10pm

Open Screening

Thursday, June 17, 2010. 7pm Door, 8PM
OpenScreening

Window Installations

May 2, 2010 - May 30, 2010.
The S.S.S.S.S.S. Presents: OBAMA TRAUMA

June 1, 2010 - June 30, 2010.
Jessica Miller: Flagging Allegiance
June 2010

Archive

Find all the past shows and gallery and window exhibitions in the Archive

View the text-only full calendar

Return to: ATA Film & Video Festival 2008: Program 2

What for What

John Davis, in person - 2008, 9', Super8, Napa, CA  

This short film emphasizes the notion that life is an unalienable human right, and lawful murder a fallacy. Utilizing the US State of Georgia’s death chamber audio recording from the botched execution of Alpha Otis O’Daniel Stevens, the film encourages continued debate over the practice of capital punishment. Using color and black and white super8 images, the film questions the notion that two wrongs make a right, as it simultaneously explores the final minutes of a condemned man's existence.

Questions with John Davis

Elizabeth Wing: Was it difficult to gain access to the recording of the execution? How did you come to hear about it?

John Davis: The execution recording comes from a website called Sound Portraits in a section called The Execution Tapes. All the sound material on the site is in the public domain so anyone can access it.

http://soundportraits.org/on-air/execution_tapes

I ran across it while looking for testimonials for another project, basically a link to a link. When I first heard the recording I was pretty floored. It definitely reinforced the inhumanity of capital punishment, but also yielded impressions of what the experience might have been like from Alpha Stephens' point of view. In particular, his final moments of life giving over to death, and the potential suffering by means of a faulty and primitive killing device.

EW: Much of the visual footage looks like it may be old or found. Did you shoot any or all of it, and if so, was it shot with this project in mind?

JD: Although I often work with found or archival footage, I shot all the film for this piece over a few years time, and not with this project in mind. I generally use an improvisational approach to shooting, and sounds or recorded music will often drive a project, providing conceptual cues for image selection.

EW: Can you describe for us the way your training as an anthropologist influences the way you see and approach things?

JD: I would use the term training loosely... but my studies in cultural anthropology formalized my interest in diversity, and the ways culture informs human behavior and visa versa. It influenced my thinking not so much in a formal scientific way, but rather an impressionistic one. I chose to practice art instead of anthropology because it became clear to me that there is way more authority, truth, and beauty in the subjective/personal voice than in any objective scientific one.

John Davis is an artist living in the Bay Area experimenting with sound and image, exhibiting both internationally and in the US. His sound works stem from a desire to supplement his films and videos with original music, and has become an integral part of his process. He has recorded music for the Root Strata label in San Francisco, and has upcoming releases on the Students of Decay label in Cincinnati and Digitalis Ltd. in Tulsa. John has a BS in Anthropology from Loyola University in Chicago, and an MFA from the San Francisco Art Institute.

Last updated 09/22/2008.