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Monthly Calendar

ATA Screenings

Thursday, May 27, 2010. 8PM
Odds and Ends

Friday, May 28, 2010. 7:30 Door, 8PM Screening
CCSF Student Film Showcase

Sunday, May 30, 2010. 7PM
Mrs. Goundo's Daughter
presented by The San Francisco Bay Area Chapter of the US National Committee for UNIFEM

Thursday, June 3, 2010. 8PM
CCSF Production Class

Saturday, June 5, 2010. 8PM
Mike Kuchar
An Evening of Collected Consciousness

Sunday, June 6, 2010. 1PM
Set the Screen on Fire: Films for Social Change

Tuesday, June 8, 2010. 7PM
CHRONOTOPIA:
The Past, Present & Future of Queer Histories - Media Screenings

Thursday, June 10, 2010. 7.30pm
"The Inner Tour"
A.N.S.W.E.R. Coalition Film Screening

Saturday, June 12, 2010. 8PM
Experimental films and sounds from the Bay Area

Friday, June 18, 2010. 8PM
Top of the Food Chain

ATA Events

Tuesday, June 15, 2010. 7-10pm
Jessica Miller: Flagging Allegiance
Opening reception Tuesday, June 15th, 7-10pm

Open Screening

Thursday, June 17, 2010. 7pm Door, 8PM
OpenScreening

Window Installations

May 2, 2010 - May 30, 2010.
The S.S.S.S.S.S. Presents: OBAMA TRAUMA

June 1, 2010 - June 30, 2010.
Jessica Miller: Flagging Allegiance
June 2010

Archive

Find all the past shows and gallery and window exhibitions in the Archive

View the text-only full calendar

Return to: ATA 2007 Film Festival: Mnemonics - States of Matter

5 Cents a Peek

Vanessa Woods - 2007, 6:33 min, 16mm/MiniDV, San Francisco, CA, USA (in person)  

5 Cents a Peek is a filmic interpretation of a poem by Sharon Olds wherein the circus becomes a metaphor for a woman’s performance in, and for, the world. The film incorporates animation, archival circus footage and distortions of the female form to explore ideas of performance, spectatorship and the male gaze. The eye is a reoccurring trope in the film, referencing the spectator/audience looking at the subject and the subject looking inward at herself. Because the circus is a spectacle whose very existence derives from performance and illusion, the performative and illusory aspects of the film are exaggerated. The audio of the film draws upon this concept, wherein the narrator stops and starts the poem over and over thereby making the practice and performance of the poem evident.

Vanessa Woods graduated with an MFA in film, with honors, from the San Francisco Art Institute. Her artwork and films have been exhibited internationally and she has been the recipient of numerous awards including a Murphy and Cadogan Fellowship for Film from the San Francisco Arts Commission, a Film Arts Foundation Personal Works Grant, and the San Francisco Art Institute’s MFA film Fellowship. She was awarded a MacDowell Colony Residency and a Residency in Pont-Aven, France, through the Museum of Pont-Aven. Woods has produced eight films that have been broadcast nationally and screened internationally, including the Education Channel, the Centre International d’Art in France, The Anthology Film Archives in New York, and San Francisco International Film Festival. Woods in currently working on several new films, including a feature-length documentary titled Mimita, (www.Mimita.com) which follows a family of women raising their adopted child in Bronx, New York.

Last updated 10/07/2007.